XMEN: FIRST CLASS

Michael Fassbender: big world small world

Article: Michael Fassbender: big world small world

Last night I ventured out to see XMEN: FIRST CLASS. It’s a big, big world. Its cast? Many arrived by way of much smaller worlds. As I watched, it struck me: What artist gets to participate in such completely different modes of making other than the film actor, who, if lucky and smart, goes from Hollywood to Indiewood or vice versa? A musician may be the closest – from orchestra to a more edgy or experimental gig? But an orchestra ain’t Hollywood. A new media artist who moonlights at Microsoft or Google? Nope, not art. Maybe XMEN isn’t art either – but the actor brings the same set of tools to the table when approaching something like XMEN or a teeny tiny film, in order to make his or her… art. Two of the XMEN stars are recent graduates of indie hits. Jennifer Lawrence (Mystique) starred in the Sundance film WINTER’S BONE, wherein she brought nuance and grace to her role as Dee. Michael Fassbender has the bigger role in this big world, though, as the tortured Magnito. Fassbender recently starred as a duplicitous and ethically-challenged player-bloke in Andrea Arnold’s coming of age story FISH TANK, and he brought a great sense of humanity to his Rochester in Cary Fukunaga’s excellent JANE EYRE. He’s also listed on imdb as one of the stars of Jim Jarmusch’s next film. How must it be to coexist in these worlds?