Von Trier

Lars von Trier talks about MELANCHOLIA

Lars von Trier talks about MELANCHOLIA

Though Lars von Trier’s MELANCHOLIA doesn’t come out in wide release until November 11, 2011, the anticipation for his seemingly more accessible follow-up to 2009′s ANTICHRIST is mounting. (For me, it’s the combination of the end-of-the-world theme/people looking up at outer space in wonder, the mystery of melancholia and my girl crush, Charlotte Gainsbourg.)

In case you have no idea what movie I’m talking about:

Counting Sheep: SWEETGRASS and the NYFF

Counting Sheep: SWEETGRASS and the NYFF

I’ve been thinking about sheep. Ever since I saw the documentary SWEETGRASS over the weekend, I’ve been replaying the images in my mind. Newborn lambs thrown on top of each other, their bodies bouncing like rubber with no obvious damage done. A sheep chews cud and then pauses to give the camera a penetrating stare. A sheep herder’s frustrated and extended cussing diatribe at the herd he’s trying to control as the camera pulls back further and further to show the majestic expanse of wilderness that surrounds him. The sheep, their bodies flowing like water through the streets of a small town. SWEETGRASS (directed by Ilisa Barbash and Lucien Castaing-Taylor) is a documentary about the last sheep drive up the Beartooth Mountains in Montana, a kind of elegy to the west and a meditation on existence dictated by nature and man’s limited control. A film so out of place and yet exactly the kind of unusual film you expect to see as part of the New York Film Festival.