Vincent Cassel

BLACK SWAN

BLACK SWAN

The catchiest tagline right now for BLACK SWAN, director Darren Aronofsky’s follow up to THE WRESTLER, is “psychosexual thriller.” It might also billed as an action flick, what with all of Natalie Portman’s jumps, twirls, plies, her mad dashes down hallways and corridors, her rampant mirror smashing, her feverish dancing in a sweaty, crowded nightclub and her boisterous “lezzy fantasy.” Shot handheld, much of it from Portman’s point of view, it makes for a frantic, seat-gripping hour and a half.