Article: THE ROAD

Don’t let the action-packed trailer lead you astray; THE ROAD is true to the book. All the details of Cormac McCarthy’s barren, burnt out landscape are fully realized by director John Hillcoat (THE PROPOSITION), who you can tell took great pains to do right by the author. Instead of creating a street of abandoned, weather-beaten houses in a studio, for example, or hiring a big team of CGI experts to imagine what a decaying, post-apocalyptic shipyard would look like, Hillcoat and his crew actually sought out those environments, mainly in post-Katrina New Orleans.

Get your bleak on: dystopian cinema

Article: Get your bleak on: dystopian cinema

I don’t know about you, but when I even think about seeing the upcoming film THE ROAD, based on the novel of the same name by the brilliant Cormac McCarthy, my shoulders sag a little. Post-apocalyptic America, lawlessness, cannibalism, and a vulnerable family? It’s heavy! Embrace the darkness here:

Seeing this trailer recently in the theatre, I then Netflix-ed a few futuristic down-and-out sci-fi thrillers, and began to think about the distinct shape of the dystopian movie. Why and how is this form unique?