THE QUEEN OF VERSAILLES

Review Revue: THE QUEEN OF VERSAILLES rules

Review Revue: THE QUEEN OF VERSAILLES rules

Going to the movies should never, ever be stressful (unless, of course, you’re planning on seeing the latest Lars von Trier flick). You want to see something new and relevant so that you can talk it up with your know-it-all friends. But you don’t want to sit through the one film that everyone thought would be great but… isn’t. So here is our formula, simplifying the should-you-see-it conundrum:
5 new releases x 2 critical samplings = what you should go see.

Simple enough, right? This week we have a Caped Crusader, a make-believe girlfriend, a rags-to-riches-to-rags tale, a well-digger and some hot n’ bothered New Yorkers.

The Sundance '12 Awards (according to Twitter)

The Sundance '12 Awards (according to Twitter)

It’s indie film, man: when things go wrong, you roll with the punches and improvise. So when Parker Posey, the scheduled host for the Sundance ’12 Awards Show fell ill, the fest found a replacement — BLACK ROCK director and star Katie Aselton — who teamed up with Festival Director John Cooper to emcee the evening. Things chugged along without missing a beat. “I’ve always wanted to be Parker Posey,” quipped Aselton.

THE QUEEN OF VERSAILLES director Lauren Greenfield drops by Sundance Channel HQ– See photos inside

THE QUEEN OF VERSAILLES director Lauren Greenfield drops by Sundance Channel HQ– See photos inside

Aamer Haleem interviews the director Lauren Greenfield of THE QUEEN OF VERSAILLES for Festival Insider. Check out the gallery below for more!

Sundance '12 acquisitions round-up #1: THE WORDS, BLACK ROCK, and more

Sundance '12 acquisitions round-up #1: THE WORDS, BLACK ROCK, and more

Some in the industry predicted Sundance ’12 would be a “wild” year for sales, but so far it hasn’t turned out that way. As of this morning (four days into the festival), just two films, both from opening night, had managed to secure distribution deals. Things do seem to be heating up a little today in the snowy climes of Park City, with a, ahem, flurry of acquisitions coming over the wire in just the last few hours.

The Sundance '12 opening night round-up

The Sundance '12 opening night round-up

Have you filled all your travel size bottles of Purell? Looked online to find out how many packets of Emergen-C a human being can safely ingest without overdosing on potassium? Bought enough Powerbars to qualify as a minority investor in the company? Good, then you’re ready for Opening Night of the 2012 Sundance Film Festival. Which is fortunate, cause it starts in, like four hours.

Film intelligence: Documenting the new Best Documentary Oscar rules

Film intelligence: Documenting the new Best Documentary Oscar rules

Every week there are dozens of film news stories. Every week, we read them all and bring you the five most important ones in the single most important blog post you’ll ever read (today [at this moment]).

1. Documenting Big Changes for the Best Documentary Oscar

Every year the movies that do and do not get nominated for the Best Documentary Academy Award become a huge source of contention. In 2011, popular and acclaimed documentaries THE INTERRUPTERS, SENNA, and BEING ELMO — and JUSTIN BIEBER: NEVER SAY NEVER, cried ten thousand beleaguered Beliebers — all missed the doc Oscar shortlist. To rectify the situation, the Academy announced this week they are overhauling the nomination process for the Best Documentary category: among the changes, films will now need a one-week commercial release in New York and Los Angeles and a review from the New York Times or Los Angeles Times. Hopefully these changes will help the best and most important docs get the recognition they deserve and we’ll never hear about Oscar documentary controversies again. On the other hand, you never say never. [Indiewire]