The Piano

From Cannes to Hollywood: Women still shut out of film jobs that don't require cleavage

Article: From Cannes to Hollywood: Women still shut out of film jobs that don't require cleavage

image via Slant Magazine

That springtime film festival somewhere in the south of France is now fully under way, and we’re sad to spread the word: there are no female-directed films in competition at Cannes this year. Not that things are much better here in the US. Only five percent of the past year’s big, studio films were helmed by ladies. What gives?

A BRIGHT STAR is back: Jane Campion

Article: A BRIGHT STAR is back: Jane Campion

I confess that I’m a long term fan of film director/writer Jane Campion. Her work has staying power for me – everything from her short films PEEL and A GIRL’S OWN STORY, and their stylized but penetrating look at relationships, to her later more sophisticated and moving THE PIANO. However her last film IN THE CUT was disappointing. I say this reluctantly because I deeply appreciate how headlong and with what boldness Campion throws herself into every project, so when one of these experiments fail, I don’t take any pleasure in it. I just want to see her move on. And now that it’s been six years since that Meg Ryan debacle, I was a little concerned. Would she make another film and how would she get it financed in today’s climate? Would she have to compromise with a big name star who was just not quite right? Thus it’s with relief and pleasure that I saw BRIGHT STAR at its preview this week.