Whether he’s showcasing his psychotic side in a Danny Boyle flick, or putting on the most joyous (and hysterical) strip tease of all time, Robert Carlyle has a knack for stealing scenes. The Scottish actor’s got a magnetism and raw intensity that carries over between drama, comedy, and even horror–and you’ll find some of each on our list of his top five performances below.
Sharks. Cinema’s most enigmatic beast. Leopard, tiger, great white, hammerhead: these vicious finned predators have always had a knack for terrorizing characters and stealing scenes–one even had it’s own ominous tune.
Why don’t most directors want to work with Leonardo DiCaprio more than once?
You can count on two fingers the number of times DiCaprio has collaborated with a filmmaker on multiple films: Martin Scorsese (on numerous projects) and Baz Luhrmann. On the flip side, you’d need an abacus to tally the number of high-profile directors who hired DiCaprio once and never went back for seconds. James Cameron (TITANIC), Woody Allen (CELEBRITY), Steven Spielberg (CATCH ME IF YOU CAN), and Danny Boyle (THE BEACH) are just a few names that come to mind. Boyle’s one-off feature with DiCaprio premieres Saturday, November 3, on Sundance Channel, and was the film that got us contemplating this topic.
Just in time for Halloween, the ten most terrifying movies on the Sundance Channel run a gauntlet of horrific styles. For traditional slasher-movie thrills, we’ve got the original FRIDAY THE 13TH (and, inevitably, a slasher sequel with FRIDAY THE 13TH PART II). Others are horror classics too distinctive to be called traditional; David Cronenberg and Roman Polanski rarely seem more at home than when they channel their own personal obsessions into the horror genre with movies like ROSEMARY’S BABY, THE FLY, and SPIDER. Lars Von Trier’s ANTICHRIST fits into this pattern, too; it bears little resemblance to its genre brethren and is unmistakably the work of Von Trier, yet it is a horror picture, of sorts, filtered through the director’s bracing, often lyrical misery. Of course, there are other ways to get scared without even going into horror; Danny Boyle’s THE BEACH offers a scary vision of paradise corrupted, and, come to think of it, so does David Lynch’s BLUE VELVET, in its own way. If you want to freak out, there’s no shortage of options.
“In the summer of 1916, panic struck the Jersey Shore,” reads the opening sentence of this Smithsonian magazine article. No, the panic was not caused by the arrival of overly tanned, puffed-hair and muscular visitors, but instead by shark attacks in the waters off the shore. During that summer, a shark attacked five victims. In an interview with George Burgess, a shark-attack expert in charge of the International Shark Attack File at the Florida Museum of Natural History (sounds like a role for Nicolas Cage), he explains that when these attacks happened people thought a sea turtle was responsible before the press ultimately identified it as a great white.
Can you handle all this heat? No, seriously, can you? Because it’s not just the weather that’s hot — the movies on offer this week are seriously steamy, from the downright uncomfortable (DELIVERANCE) to the height of young lust (Y TU MAMÁ TAMBIÉN).
Our Thriller Thursdays selection is John Boorman’s DELIVERANCE, with its dueling banjos, menacing hillbillies and all.