SMASH HIS CAMERA

Snap! An infamous lensman gets his close-up

Article: Snap! An infamous lensman gets his close-up

SMASH HIS CAMERS, directed by Leon Gast, Oscar-winning director of WHEN WE WERE KINGS

I suppose it’s a mark of where celebrity journalism and gossip are today that paparazzo Ron Galella is finally getting the star treatment.

For decades, Galella lurked in bushes and staked out buildings, hunkered down in taxis and emerged seemingly out of nowhere to get his shot of celebrities like Sinatra and Warhol, Sophia and Bianca, Michael Jackson, Elvis, and Sundance founder Robert Redford himself. Jackie O, whom he considered his “Mona Lisa,” took out a restraining order against him. Brando broke his jaw. Now, Leon Gast, the Oscar-winning director of WHEN WE WERE KINGS, has focused his own cameras on the infamous lensman in his new documentary, SMASH HIS CAMERA, currently showing at the Sundance Film Festival.

"Paparazzo superstar" or psycho stalker?

Article: "Paparazzo superstar" or psycho stalker?

SMASH HIS CAMERA, directed by Leon Gast

One of two documentaries about paparazzi culture at the Sundance Film Festival this year — the other is Adrian Grenier’s TEENAGE PAPARAZZO — Leon Gast’s SMASH HIS CAMERA traces the colorful career of Ron Galella, “paparazzo superstar” (as he calls himself). Among the first and by far the most notorious of stalker photographers, Galella played a years-long cat-and-mouse game with Jackie Kennedy and earned a restraining order for his efforts. Once he got too close to Marlon Brando, who rewarded him with a fist in the face.

Now in his late 70s, Galella fondly revisits these old war stories in SMASH HIS CAMERA, which also follows the still-active photographer on a few excursions from suburban New Jersey to Manhattan high society. He worms his way up to Robert Redford at a charity event and hands him a copy of his new book (needless to say, this got plenty of laughs at Sundance). He barges onto the red carpet of the CHANGELING premiere to get a good look at Brangelina. Various experts — curators, photographers, lawyers, gossip writers — weigh in on the merits and ethics of Galella’s work (there’s widespread disagreement).