The 500 DAYS OF SUMMER festival faves may have not made it together on the big screen, but they’ve been good friends for years. Now, they are stepping out as musical collaborators with a charming (OK, adorkable) cover of Nancy Wilson’s “What Are You Doing New Year’s Eve“? New Year’s Eve songs are so much…
It’s no secret that Jessica Chastain has had a breakout year. You probably saw her in THE HELP, perhaps saw her in THE DEBT or TREE OF LIFE, and should definitely head out to see her in TAKE SHELTER. It was one of the few films that went into the 2011 Sundance Film Festival with a distribution deal and between powerhouse performances Chastain and the film’s star Michael Shannon (REVOLUTIONARY ROAD, Boardwalk Empire), it’s easy to see why.
Sundance Institute announced today the selection of four additional films for the 2012 Sundance Film Festival. The Festival will be January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah. The complete list of films is available at www.sundance.org/festival.
Sundance fave Miranda July’s latest book It Chooses You will probably end up in a few cool kids’ stockings Sunday morning. And why shouldn’t it? The book had its own SoHo storefront! Check out what the filmmaker-writer-performance artist has to say on theme at the heart of It Chooses You, meeting strangers.
When I heard that Sundance Film Festival alum and total cult classic NAPOLEAN DYNAMITE was going to be made into a Fox cartoon, the first thing that came to mind was ‘Holy 2004, did I time travel back to high school?!’ However, when I found out that the show was going to feature the exact same cast as the movie, I thought: hey, this might be pretty funny, I’m glad Jon Heder has nothing else to do but voice a character he played eight years ago. I like Jon Heder, especially when he played that psychic in that Mark Ruffalo flop “Here On Earth.” He deserves to have some more fame and fortune (and hopefully he will with his return trip to Sundance in FOR ELLEN)! So does that guy Pedro. Sure, the movie might be a bit aged, but it still has enough one-liners and catch phrases to be quoted on Facebook profiles, and I still laugh sadly every time I think about a liger, so hey, why not? And why stop there? Here are some other cartoon ideas for past Sundance Film Festival hits, because you never know what might be adapted next:
One of the best features of the Sundance Film Festival are the actors who made trips there early in their careers…and come back again even when they could be resting on their mainstream, Hollywood laurels. Mark Webber’s END OF LOVE is one of those films that brings some of those festival faves back to Park City. Michael Cera (PAPER HEARTS), Amanda Seyfried (ALPHA DOG), Jason Ritter (THE DRY LAND), and Shannyn Sossamon (WRISTCUTTERS) join Webber on screen for the story of a young father struggling with the death of his son’s mother.
Park City, UT — Sundance Institute announced today the films from the 2012 Sundance Film Festival that will screen in independent theaters in nine different cities around the country. The screenings are part of Sundance Film Festival USA, a program designed to bring the Festival experience to film-loving audiences nationwide. The 2012 Sundance Film Festival takes place January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah.
On January 26, the second Thursday of the Sundance Film Festival, nine filmmakers will each travel from Utah to one of the following cities: Ann Arbor, MI; Boston, MA; Brooklyn, NY; Chicago, IL; Houston, TX; Nashville, TN; Orlando, FL; San Francisco, CA; and Tucson, AZ. Their travel is courtesy of Official Airline Sponsor Southwest Airlines. In each city, the filmmaker will introduce and screen their film and participate in a Q&A with the audience. A video featuring highlights from this year’s Sundance Film Festival will precede each screening.
The Sundance Film Festival USA initiative was established in 2010.
I finally saw Sean Durkin’s Sundance standout MARTHA MARCY MAY MARLENE, and I too found it absolutely deserving of the awards and accolades it has recently garnered. It’s a wonderfully compelling flashback narrative, the likes of which we really haven’t seen since SHINE, wherein the dramatic tension comes from the audience discovering the past and watching its inevitable collide with the present. But even more interesting than that, the film is lean and beautiful in its simplicity, specifically in the way in which it’s covered, or filmed from different angles.
Sundance Institute announced today the program of short films selected to screen at the 2012 Sundance Film Festival. This year’s Short Film program is comprised of 64 short films selected from a record 7,675 submissions, up 16% over submissions for the 2011 Festival. The Festival will be January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah.
Sundance Institute announced today the films selected to screen in the out-of-competition Premieres and Documentary Premieres sections of the 2012 Sundance Film Festival. The Festival will be held January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah. The complete list of films is available at www.sundance.org/festival.
Sundance Institute announced today the films selected to screen in the 2012 Sundance Film Festival out-of-competition sections Spotlight, Park City at Midnight, NEXT and New Frontier. The Festival takes place from January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah. The complete list of films is available at www.sundance.org/festival.
Sundance Institute announced today the films selected for the U.S. and World Cinema Dramatic and Documentary Competitions of the 2012 Sundance Film Festival. The Sundance Film Festival will take place January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah. The complete list of films is available at www.sundance.org/festival.
Robert Redford, Founder and President of Sundance Institute remarked, “We are, and always have been, a festival about the filmmakers. So what are they doing? What are they saying? They are making statements about the changing world we are living in. Some are straight-forward, some novel and some offbeat but always interesting. One can never predict. We know only at the end, and I love that.”
John Cooper, Director of the Sundance Film Festival, said, “In these challenging economic times, filmmakers have had to be more resourceful and truly independent in their approaches to filmmaking. Looking at this year’s submissions, the result is more fully realized visions and stronger stories; we are proud to see the Festival emerging as a key indicator of the health and creativity of our filmmaking community. The overall quality of the films in the 2012 Competition section will make for an exciting Festival and a remarkable year ahead for independent film audiences everywhere.”
For the 2012 Sundance Film Festival, 110 feature-length films were selected, representing 31 countries and 46 first-time filmmakers, including 26 in competition. These films were selected from 4,042 feature-length film submissions composed of 2,059 U.S. and 1,983 international feature-length films. 88 films at the Festival will be world premieres.
Joe Zee hits the slopes (and the snow!) in Park City during the 2011 Sundance Film Festival. Check out some great images by Yvan Rodic of Facehunter here. Want to know more about his thoughts on the latest designers? Be sure to check out ALL ON THE LINE premiering in March on Sundance Channel. Joe…
On the final day of the Sundance Film Festival, the scorecard stands at 30. That’s how many films were picked up for domestic distribution during the festival.
“This is probably the best in the last three years for films that actually sell during the festival,” Arianna Bocco, head of acquisitions for Sundance Selects/IFC Films in New York, told Crain’s New York Business. “It’s clear that it went from a buyer’s market to a seller’s market.”
For those who weren’t paying close attention, Anne Sewitsky’s HAPPY, HAPPY may have seemed to come out of nowhere when it collected the World Cinema Jury Prize for a dramatic film at the Sundance Film Festival on Saturday night. But, in fact, the Norwegian film about love and infidelity had been quietly gathering glowing reviews.
The Sundance Film Festival jury obviously found much to admire about Peter D. Richardson’s HOW TO DIE IN OREGON, a documentary about physician-assisted suicide in a state where it is legal. After all, it presented the film with the festival’s Grand Jury Prize in the Documentary category on Saturday night. But audiences outside of Park City may not have heard a whole lot about the film.
Sundance Institute Executive Director Keri Putnam (L) and Director Doug Liman attend the Skoll Closing Dinner at the High West Distillery during the 2011 Sundance Film Festival on January 27, 2011 in Park City, Utah. (Photo by Jemal Countess/Getty Images)
Filmmaker Doug Liman has tackled tough topics before: His recent film FAIR GAME, inspired by the experiences of covert CIA officer Valerie Plame, whose cover was blown by a White House press leak, looks at the devastating consequences of unchecked political power.
In RECKONING WITH TORTURE: MEMOS AND TESTIMONIES FROM THE ‘WAR ON TERROR,’ the special performance he teamed up with the American Civil Liberties Union and PEN American Center, as well as the Sundance Film Festival, to present at this year’s festival, Liman again considers those consequences. In the hectic run-up to the event, he took a few minutes to answer SUNfiltered’s questions via email, sharing his thoughts on torture, secrecy and taking a stand.
If you missed the Sundance Film Festival awards ceremony last night, no matter. You can experience it, minute by minute, for the first time or all over again, on the Sundance Film Festival’s blog. Writer Eric Hynes fills you in not only on who won the awards, but who presented them, what award presenters and winners said, and even, in some cases, what they wore.
As the 2011 Sundance Film Festival heads into its awards ceremony tonight and then, tomorrow, its final day, the festival-film trends are still emerging. The Los Angeles Times’ Steven Zeitchik has spotted another one: economic hardship, which he calls “a veritable through-line” in many of this year’s selections.
Park City, UT–The Jury, Audience, NEXT! and other award-winners were announced tonight at the award ceremony for the 2011 Sundance Film Festival which was hosted by Tim Blake Nelson
Grand Jury Prize, Dramatic:
Grand Jury Prize, Documentary:
How To Die In Oregon
The Sundance Film Festival is defined not only by the movies and parties and deals that so often grab headlines, but also by its social conscience. The festival provides an opportunity for the independent-film community to come together, to harness its power and creativity, to make a difference in the world, often in profound ways.
In that spirit, filmmaker Doug Liman (THE BOURNE IDENTITY, MR. AND MRS. SMITH, FAIR GAME) has teamed up with the American Civil Liberties Union and PEN American Center, as well as the Sundance Film Festival, to present a special performance of RECKONING WITH TORTURE: MEMOS AND TESTIMONIES FROM THE ‘WAR ON TERROR.’
Many worthy non-fiction films are vying for attention at this year’s Sundance Film Festival, tackling subjects as wide-ranging as extreme environmentalism (Marshall Curry’s IF A TREE FALLS: A STORY OF THE EARTH LIBERATION FRONT), pre-Web viral culture (Matthew Bate’s SHUT UP LITTLE MAN!: AN AUDIO MISADVENTURE), terminally ill people who legally choose to end their…
While the majority of Sundance Film Festival observers have likely been focused on the emotional and artistic impact of this year’s festival films, as well as the larger the cultural implications, with brief pauses to note the deals being made, Bloomberg, understandably, is more interested in the money: the films that focus on it and the financing behind them.
Focus Features has acquired the worldwide rights to PARIAH, Dee Rees’ coming-of-age film about a lesbian teenager in Brooklyn struggling to find her identity and a sense of belonging, which debuted at the Sundance Film Festival in the U.S. Dramatic Competition. (The film was executive produced by Spike Lee.) The deal, reportedly under $1 million,…
Mike Cahill’s ANOTHER EARTH, which he co-wrote with Brit Marling, who also stars in the film, has been awarded the 2011 Alfred P. Sloan Feature Film Prize at this year’s Sundance Film Festival, the Sundance Institute announced Friday. The prize is given to an outstanding feature film focusing on science or technology as a theme, or depicting a scientist, engineer or mathematician as a major character and has been awarded at the festival every year for the last nine years.