LOSING CONTROL (opening tomorrow, March 23rd, at the Quad Cinema in NYC) is a romantic comedy about a female scientist who decides she wants scientific proof that her boyfriend is the One. Oh yeah, and her science lab day job involves studying an obscene amount of semen. But this is not semen-as-hair-gel slapstick stuff (although there is one tantric-propelled semen gag) — the science in this movie is actually pretty legit, because writer-director-producer Valerie Weiss happens to have a Ph.D. in Biophysics from Harvard Med School (she was also Em’s classmate at Princeton). Weiss founded the Dudley Film Program at Harvard, and while writing her dissertation, she directed her first film. Two weeks after wrapping production, she defended her Ph.D. thesis — and she hasn’t done another experiment since.
America’s ‘90s sweetheart, Julia Roberts is entering a sort of grand dame phase, which is interesting as she unexpectedly ages into character-actor territory.
Once the fresh-faced star of dramas and rom-coms—and the loveliest prostitute in ages in 1990’s PRETTY WOMAN—Roberts was an appealing ingénue with a smile that brightened any screen and a fascinating ability to laugh and cry at the same time. I always thought she was a good actress—not just a good movie star—and was beside myself when she won the Oscar for 2000’s ERIN BROCKOVICH, playing a fiery legal assistant with cleavage and chutzpah.