House of Cards gives the most powerful capital city in the world the thriller treatment, cranking up Washington corruption a few notches past Watergate. In the high-stakes world of scheming statesmen, anything can happen, to anyone, for any reason. But what’s the most shocking thing that’s happened so far?
House of Cards creator Beau Willimon discusses his writing process, working for Netflix and predicting real-world politics.
Q: How is the US version of House of Cards different from the UK version?
A: The UK version aired in the early nineties, and both the world and television has changed a lot since then. You can look at the way that television has become, in a lot of ways, far more sophisticated, shows are digging into characters a lot more deeply. The British version was groundbreaking for its time because you had one of the first true antiheroes on television. But it’s entire three seasons were 12 hours total, combined, and our first season alone was 13 hours.
Article: Today at Sundance — Day 10: Awards Ceremony, and your last chance to catch Festival premieres
By now the jury’s had the chance to check out all the films in competition this year, and the 2013 Sundance Film Festival is nearing its grand finale – the Awards Ceremony. Grab some popcorn, then check out the Sundance Live Feed starting at 7PM and watch the awards as they’re announced.
If you’re at the festival, this is your last chance to catch many of the films in contention before they’re gone. Films like…
It’s pretty cold out here, but we’ve got some hot premieres to keep us toasty today. Step inside for a hot cup of lovely ladies sleeping with…their best friends’ sons. Or perhaps just a cup of coffee if you happen to be in Park City (we’re at 268 Main St., btw). Read on for tonight’s big premieres, including more than you ever wanted to know about Dick Cheney, an amusement park for the ladies and a doc from Foo Fighter’s frontman Dave Grohl that will blow out your ears.
You’ve seen Woody Harrelson flex his bad boy-ness before in movies like NO COUNTRY FOR OLD MEN, and most notably in NATURAL BORN KILLERS. Now he’s back, and badder than ever, as they say, in Oren Moverman’s RAMPART. Moverman, who directed Harrelson in his 2009 film THE MESSENGER, reunited him and his costar Ben Foster in the “story about the LAPD’s disgraced Rampart division, with a script originally written by LA crime master James Ellroy.”
A recent SlashFilm blog post claims that the trailer for RAMPART makes “BAD LIEUTENANT looks like a boy scout.” Such an outrageous claim demanded my immediate judgment call. And after watching it, I’d have to say I agree. Harrelson is the seriously bad cop to Ice Cube’s good cop. He drinks up a storm and shoots at whatever and whomever he wants. He drops classy pick up lines like “You are the most beautiful woman I have ever seen – in this bar,” and spouts wisdom like “I’m not a racist. I hate everyone equally.” (A revival, of sorts, of one of my favorite W.C. Fields quotations, “I am free of all prejudices. I hate everyone equally.”)