So far, everybody has politely knocked the snow off their boots before they’ve tromped through Sundance Channel HQ out here in Park City. It was a busy day, with guests ranging from Mr. Sundance himself, Robert Redford, to Blythe Danner and Melanie Lynsky of HELLO I MUST BE GOING and the folks behind the gripping documentary about rape in the military THE INVISIBLE WAR stopping in for a chat. Check out all of those galleries and more:
Article: President Obama stands up to big oil
Photo by Emma Cassidy, licensed under a Creative Commons license
Let’s face it: Big Oil is used to getting its way. But not today… and we have President Obama to thank for standing up to them in spite of the political risk.
President Obama has just rejected a permit for the Keystone XL tar sands pipeline — a project that promised riches for the oil giants and an environmental disaster for the rest of us.
His decision represents a victory of historic proportions for people from throughout the pipeline path and all across America who have waged an uphill, years-long fight against one of the most nightmarish fossil fuel projects of our time.
But make no mistake: Big Oil is going to fight back hard and fast.
Article: A conversation with Robert Redford
First things first: at 75, actor, director, and Sundance Film Festival founder Robert Redford is as virile and dashing as ever.
Named after his character from BUTCH CASSIDY AND THE SUNDANCE KID, Sundance was known as the U.S./Utah Film Festival when he founded it in 1978. In 1981, the festival moved to Park City, and in 1984, it was renamed the Sundance Film Festival. It soon became the premier showcase for independent film.
There are a million places to get your news these days. But when it comes to those really big investigations (you know, the ones that actually change things), we’re dealing with fewer and fewer options. That’s where ProPublica comes in, the independent, non-profit newsroom partners with news outlets to do real, serious investigative journalism. And they need your support.
“This is American democracy at its best: a President who listens to the voice of the people and shows the courage to do what’s right for the country. Thank you, Mr. President, for standing up to Big Oil. Thank you for standing up for us all.” – Robert Redford on Keystone XL Pipeline decision, Nov. 10, 2011.
Before President Obama entered office he promised to stand up to big oil. Now it’s up to him and his administration – not Congress – to stick to his promise and stop the Keystone XL tar sands pipeline once and for all. The pipeline will increase our dependence on foreign oil, create more pollution and threaten our land, water and climate. We’re going to rally in Washington D.C. on November 6th to let Obama know that he has the people’s support on this decision. If you’d like to do something about this, click to join the rally on November 6th, 2011.
Because it’s on a Monday this year, which means you’ve been dressing up in costume every night since Friday, this might just be the longest Halloween weekend ever. It’s not over yet, but if you’re partied out, or just out of fake blood, stay in and cozy up to the Halloween episode of my “My So Called Life.” Angela falls for the Jordan Catalano of the 50s, who’s ghost still haunts the school gym, and (spoiler) her parents get so turned on by their costumes (he’s a pirate, she’s Rapunzel) that they decide to stay in and role play instead of going to the neighbor’s party.
Once the clock strikes November, though, we ditch all things Halloween with EVERLASTING MOMENTS (2008), by Swedish director Jan Troell, who worked with Nordic heavy-hitters like Max von Sydow and Liv Ullman, who he directed in some of her finest films, including THE EMIGRANTS (1971) and THE NEW LAND (1972). Then we venture south to France with Claude Chabrol’s A GIRL CUT IN TWO (2007). Chabrol, who died just last year, is credited with starting the nouvelle vague. He was a critic at the famed Cahiers du Cinema in the 50s and directed…
Robert Redford delivers a powerful message to President Obama, asking him to say no to the Keystone XL pipeline that threatens to destroy “the bread basket of America” so big oil can turn a profit.
When you challenge Big Oil in Houston, you can bet the industry is going to punch back. So when I wrote in the Houston Chronicle earlier this month that we should say no to the Keystone XL pipeline, I wasn’t surprised when the project’s chief executive weighed in with a different view.
The corporate rejoinder, written by Alex Pourbaix, president for energy and oil pipelines for the TransCanada Corp., purported to cite “errors” in my oped. Let’s set the record straight, point by point.
First, the Keystone XL, as proposed, would run from Canada across the width of our country to Texas oil refineries and ports. It would carry diluted bitumen, a kind of crude oil, produced from the Alberta tar sands. On those points, we all agree.
I say this is a bad idea. It would put farmers, ranchers and croplands at risk across much of the Great Plains. It would feed our costly addiction to oil. And it would wed our future to the destructive production of tar sands crude…
Article: "Sabotaging" ALL THE PRESIDENT'S MEN
I can’t get enough of this “cinemashup” by Jeff Yorkes that re-edits scenes from ALL THE PRESIDENT’S MEN with the Beastie Boys punk-rap “Sabotage,” a song which Pitchfork argued: “Whyyyyyyyyy?!?” – surely the single greatest utterance of that word in the history of pop music. As an American political history junkie growing up (I know, I know. The ladies weren’t too impressed either) I was obsessed with this film, which starred Dustin Hoffman and our own Dear Leader around these parts, Robert Redford. Overlaid with the Beastie Boys’ aggressive song, the film’s already taut tone goes into overdrive. What seems so disparate on paper makes perfect sense when you watch the video, reinforced by the second line of the song that screamingly makes it such a natural fit for the film: “I’m gonna set it straight this Watergate.”
If you haven’t been over to the Politico blog yet today, you might want to head over and check out the brewing debate started by Redford’s comments on Obama’s lackadaisical stance on environmental issues, which originally appeared on the Huffington Post. Politico’s short version of Redford’s longer piece is:
As Companies Gather for Shareholder Meetings, Opposition to Bristol Bay Mine Mounts
Article: Sundance 2011 = Officially Over
(Photo by Chelsea Lauren/Getty Images)
It’s been a long week—exhilarating, grueling, and never, ever dull—but Sundance 2011 is officially over. The stars, the studio executives, and the filmmakers have all packed up their North Face gear and headed home, wherever that may be.
Looking back on the last several days, there were some amazing, quintessentially Sundance-ian moments. We got to meet Robert Redford! We got to talk to young, idealistic, and extremely talented new artists (Brit Marling, Mike Cahill, for instance) whom we will certainly be hearing more from, and who are a reminder of Sundance’s real purpose (beyond an excuse to see a lot of great movies in the middle of a snowy paradise). As Marling told us, just following the premiere of ANOTHER EARTH, “I feel so lucky to be a part of this. Sundance is bringing together all these people and you know, brings them all into this little, this tiny town in the middle of the snow, and everyone can just talk and revel in ideas and make them into realities. It’s pretty awesome.”
SUNcovered attends the gala event for the new Season of BRICK CITY at Sundance Channel HQ. BRICK CITY premieres Sunday, January 30th at 8 PM! Want to see more? Check out clips from the festival here. Be sure to satisfy all your festival needs with the latest buzz, top stories, and celebrity interviews from Sundance…
Robert Redford sits down for an interview at the Honda Power of Dreams Studio, Sundance Channel HQ. Want to see more? Check out clips from the festival here. Be sure to satisfy all your festival needs with the latest buzz, top stories, and celebrity interviews from Sundance Channel’s coverage of the 2011 Sundance Film Festival.
Article: Robert Redford on Career 'Irony'
You might be surprised to learn, as we were, that Sundance Film Festival founder Robert Redford, who has nurtured the work of countless filmmakers over the years, doesn’t have a scrum of those filmmakers clamoring to cast him in meaty roles. “I ask the question — I say, ‘Hey I’d like to be [in that…
Article: Sundance Source: Where it all began
After stopping by the Sundance Channel HQ, take a short drive to the place where it all began, Sundance Resort. The resort was started by Robert Redford in 1969 and is the birthplace of all things Sundance. It’s a great place to take in a film, have an amazing meal, listen to Live Music in…
Article: Interview: Robert Redford
“O.K., what’s up?” This is how Robert Redford, i.e. The Most Important Person on The Planet, as far as the Sundance Film Festival is concerned, starts a conversation. It’s Friday afternoon, and he’s just finished an interview for Sundance Channel, is about to dash off to do God knows what (judging by the number of…
Article: Redford: No Plans to Retire
It honestly hadn’t occurred to us to be concerned that Robert Redford might retire and hand over the Sundance Film Festival reins anytime soon, but now we really don’t have to worry about it. In response to a reporter’s inquiry about retirement plans at the opening press conference for the 2011 Sundance Film Festival on…
Do we have the good people of Utah to thank for last year’s Sundance Film Festival reboot, in which director John Cooper and founder Robert Redford brushed away Hollywood commercialism like a light dusting of snow and returned the festival to its gritty indie roots, a reorientation they plan to continue this year? That may…
Last year, the Sundance Film Festival made a point of returning to its indie roots, away from glitzy Hollywood fare and back to the riskier films on which it made its name. In keeping with this back-to-basics approach, the 2010 festival played on themes of renewal, rebirth, rebellion … “ReWork.” So what to make of…
Robert Redford (R) with President Sarkozy (L). (Photo by FRANCOIS MORI/AFP/Getty Images) OCTOBER 14, 2010-(Paris, France)- Robert Redford received one of France’s most highly esteemed recognitions today in Paris, the emblem of the “Légion d’Honneur” established by Napoleon Bonaparte in 1802. Redford was acknowledged for his work as actor and director, his decades long involvement…
CRUDE (Legal Defense Fundraiser) Tues, June 22 @ 8 pm IFC CENTER Q&A w/ director Joe Berlinger, attorney Maura Wogan, Morgan Spurlock, Michael Winship (WGA East) Tickets are $16 (all proceeds go to Berlinger’s legal defense fund) Tickets now on sale | More info To support Berlinger’s legal defense fund and shine additional light on…
The glove-covered hands of Dan Howells, deputy campaign director with Greenpeace, are coated with a layer of oil after he dipped them in oil floating on the surface in the Gulf of Mexico following the BP Deepwater Horizon oil spill near Grand Isle, Louisiana, June 10, 2010. AFP PHOTO / Saul LOEB (Photo credit should read SAUL LOEB/AFP/Getty Images)
Like most Americans, I am horrified by the unending catastrophe in the Gulf of Mexico. Even with the latest containment cap in place, oil is likely to hemorrhage from BP’s ruptured well until August or beyond.
As I try to convey in my new video, “The Fix,” I am appalled by what this spill is doing to Gulf fishermen, families, communities and wildlife. But I am also disgusted by what it reveals about the oil industry’s role in American political life.
With their deep pockets, oil companies have purchased loose safety regulations, slack oversight and support from key lawmakers. Last year alone, the industry spent a $168 million on lobbying — $16 million of which came from BP. The blowout on the Deepwater Horizon is a symptom of this undue influence.
It is time for the collusion to stop. As long as it continues, Americans will pay the price in the form of devastated ecosystems and a fossil fuel addiction that benefits oil companies, not ordinary citizens.
I have devoted a significant part of my life’s work in support of the independent artist — independent referring not to the size of a project, its funding or subject matter; rather, to the singular vision and voice of that artist. I founded Sundance Institute 30 years ago out of the belief that it is…