review revue

Review Revue: PREMIUM RUSH, SLEEPWALK WITH ME, LITTLE WHITE LIES

Article: Review Revue: PREMIUM RUSH, SLEEPWALK WITH ME, LITTLE WHITE LIES

Going to the movies should never, ever be stressful (unless, of course, you’re planning on seeing the latest Lars von Trier flick). You want to see something new and relevant so that you can talk it up with your know-it-all friends. But you don’t want to sit through the one film that everyone thought would be great but… isn’t. So here is our formula, simplifying the should-you-see-it conundrum:
5 new releases x 2 critical samplings = what you should go see.

Simple enough, right? This week we have a road-trippin’ couple, a bike messenger in a serious rush, a sleepwalking Mike Birbiglia, some weepy French friends and a badass undead army vet.

Review Revue: WIMPY KID 3, TOTAL RECALL and CELESTE AND JESSE FOREVER

Article: Review Revue: WIMPY KID 3, TOTAL RECALL and CELESTE AND JESSE FOREVER

Going to the movies should never, ever be stressful (unless, of course, you’re planning on seeing the latest Lars von Trier flick). You want to see something new and relevant so that you can talk it up with your know-it-all friends. But you don’t want to sit through the one film that everyone thought would be great but… isn’t. So here is our formula, simplifying the should-you-see-it conundrum:
5 new releases x 2 critical samplings = what you should go see.
Simple enough, right? This week we have Colin Farrell trying to pull off Schwarzenegger, a wimpy kid, young and pretty divorcees, some babymakers and a bunch of wayward Europeans.

Review Revue: AMAZING SPIDER-SAVAGES

Article: Review Revue: AMAZING SPIDER-SAVAGES

Going to the movies should never, ever be stressful (unless, of course, you’re planning on seeing the latest Lars von Trier flick). You want to see something new and relevant so that you can talk it up with your know-it-all friends. But you don’t want to sit through the one film that everyone thought would be great, but…isn’t. So here is our formula, simplifying the should-you-see-it conundrum:
5 new releases x 2 critical samplings = what you should go see.

Simple enough, right? This week we have a brand new spider-like person, a pot-dealing threesome, a haunted house, competing Olympian brothers and a mean old author.

Review Revue: BEASTS are pure MAGIC

Article: Review Revue: BEASTS are pure MAGIC

Going to the movies should never, ever be stressful (unless, of course, you’re planning on seeing the latest Lars von Trier flick). You want to see something new and relevant so that you can talk it up with your know-it-all friends. But you don’t want to sit through the one film that everyone thought would be great, but…isn’t. So here is our formula, simplifying the should-you-see-it conundrum:
5 new releases x 2 critical samplings = what you should go see.

Simple enough, right? This week we have stormy little girl hero, a vulgar talking stuffed animal, mystery siblings, flirty Torontonians and some hot male strippers.

Review Revue: ABRAHAM LINCOLN hunted by Woody Allen

Article: Review Revue: ABRAHAM LINCOLN hunted by Woody Allen

Going to the movies should never, ever be stressful (unless, of course, you’re planning on seeing the latest Lars von Trier flick). You want to see something new and relevant so that you can talk it up with your know-it-all friends. But you don’t want to sit through the one film that everyone thought would be great, but…isn’t. So here is our formula, simplifying the should-you-see-it conundrum:
5 new releases x 2 critical samplings = what you should go see.
Simple enough, right? This week we have a vamp-killing president, Woody Allen still on vacation, apocalyptic lovers, a Pixar princess and a few political upstarts.

Review Revue: YOUR SISTER'S really got SOMETHING!

Article: Review Revue: YOUR SISTER'S really got SOMETHING!

Going to the movies should never, ever be stressful (unless, of course, you’re planning on seeing the latest Lars von Trier flick). You want to see something new and relevant so that you can talk it up with your know-it-all friends. But you don’t want to sit through the one film that everyone thought would be great, but…isn’t. So here is our formula, simplifying the should-you-see-it conundrum:
5 new releases x 2 critical samplings = what you should go see.
Simple enough, right? This week we have bickering sisters, a crew of rappers, a crew of rockers, some Parisian mystery and Salma Hayek.

Review Revue: PROMETHEUS' SAFETY is NOT GUARANTEED

Article: Review Revue: PROMETHEUS' SAFETY is NOT GUARANTEED

Going to the movies should never, ever be stressful (unless, of course, you’re planning on seeing the latest Lars von Trier flick). You want to see something new and relevant so that you can talk it up with your know-it-all friends. But you don’t want to sit through the one film that everyone thought would be great, but…isn’t. So here is our formula, simplifying the should-you-see-it conundrum: 5 new releases x 2 critical samplings = what you should go see. Simple enough, right? This week we have a team of curious interstellar earthlings, time-traveling social outcasts, a quasi-heartbroken hipster, a hippie grandma and a besotted loser.

Review Revue: SNOW WHITE's GREATER GLORY

Article: Review Revue: SNOW WHITE's GREATER GLORY

Going to the movies should never, ever be stressful (unless, of course, you’re planning on seeing the latest Lars von Trier flick). You want to see something new and relevant so that you can talk it up with your know-it-all friends. But you don’t want to sit through the one film that everyone thought would be great, but…isn’t. So here is our formula, simplifying the should-you-see-it conundrum: 5 new releases x 2 critical samplings = what you should go see. Simple enough, right? This week we have a kickass fairytale, some stoners in high school, Mexican rebels, an animated Parisian cat and a closeted country crooner.

Review Revue: MOONRISE over MEN IN BLACK

Article: Review Revue: MOONRISE over MEN IN BLACK

Going to the movies should never, ever be stressful (unless, of course, you’re planning on seeing the latest Lars von Trier flick). You want to see something new and relevant so that you can talk it up with your know-it-all friends. But you don’t want to sit through the one film that everyone thought would be great, but…isn’t. So here is our formula, simplifying the should-you-see-it conundrum: 5 new releases x 2 critical samplings = what you should go see. Simple enough, right? This week we have precocious tween lovers, some boyz in black, a bunch of radioactive Ukrainians, a wronged woman or two and a severely depressed Norwegian guy.

The Review Revue: TIM AND ERIC'S BILLION DOLLAR MOVIE

Article: The Review Revue: TIM AND ERIC'S BILLION DOLLAR MOVIE

In “The Review Revue,” we turn dozens of movie reviews from all over the Internet into one handy blog post. It’s like super-concentrated orange juice for film criticism (with less pulp and Vitamin D). This week: we pay the price for TIM AND ERIC’S BILLION DOLLAR MOVIE.

The Review Revue: WANDERLUST

Article: The Review Revue: WANDERLUST

In “The Review Revue,” we turn dozens of movie reviews from all over the Internet into one handy blog post. It’s like super-concentrated orange juice for film criticism (with less pulp and Vitamin D). This week: we ramble through the critical reaction to WANDERLUST.

The Review Revue: BULLHEAD

Article: The Review Revue: BULLHEAD

In “The Review Review,” we turn dozens of movie reviews from all over the Internet into one handy blog post. It’s like super-concentrated orange juice for film criticism (with less pulp and Vitamin D). This week: we find out whether critics had a cow over BULLHEAD.

The Review Revue: THE VOW

Article: The Review Revue: THE VOW

In “The Review Revue,” we turn dozens of movie reviews from all over the Internet into one handy blog post. It’s like super-concentrated orange juice for film criticism (with less pulp and Vitamin D). This week: we pledge to gauge the critical reaction to THE VOW.

The Review Revue: CHRONICLE

Article: The Review Revue: CHRONICLE

In “The Review Revue,” we turn dozens of movie reviews from all over the Internet into one handy blog post. It’s like super-concentrated orange juice for film criticism (with less pulp and Vitamin D). This week: we chronicle the reaction to CHRONICLE.

The Review Revue: THE GREY

Article: The Review Revue: THE GREY

In “The Review Revue,” we turn dozens of movie reviews from all over the Internet into one handy blog post. It’s like super-concentrated orange juice for film criticism (with less pulp and Vitamin D). This week: we get the black and white truth on THE GREY.

The Sundance Review Revue: 2 DAYS IN NEW YORK

Article: The Sundance Review Revue: 2 DAYS IN NEW YORK

You see a lot of different genres at Sundance, but there’s one kind of movie — the most popular kind of movie, as far as the filmmaking establishment is concerned — that you almost never see in Park City: sequels. Julie Delpy’s 2 DAYS IN NEW YORK is a rare exception, and a follow-up to the actress’ critically acclaimed 2007 film 2 DAYS IN PARIS. In that film Delpy’s Marion and her boyfriend Jack (Adam Goldberg) travel to Paris for a vacation intended to rekindle their sputtering romance. In NEW YORK, the romance has officially sputtered out, and Marion now lives with a new boyfriend, a journalist and radio host named Mingus, played by Chris Rock. Marion’s crazy French family travels to Manhattan for a visit and sends the couple’s relatively carefree lives into chaos.

The Sundance Review Revue: FILLY BROWN

Article: The Sundance Review Revue: FILLY BROWN

Critics are divided on FILLY BROWN, but they agree on Gina Rodriguez, the actress who plays Filly and is being hailed as one of the breakout stars of this year’s Sundance Film Festival. Response to FILLY — a drama about a young woman trying to navigate the morally murky waters of the hip-hop game — has been decidedly mixed, but response to Rodriguez has been decidedly positive, suggesting she is one to watch, even if the film itself might not be.

The Sundance Review Revue: LIBERAL ARTS

Article: The Sundance Review Revue: LIBERAL ARTS

The cast of LIBERAL ARTS is like the independent film version of a rock and roll supergroup. You’ve got your road-tested veterans, Richard Jenkins and Allison Janney, and two of the hottest talents to come out of Sundance in recent years: Elizabeth Olsen from MARTHA MARCY MAY MARLENE and writer/director/star Josh Radnor, whose HAPPYTHANKYOUMOREPLEASE won the Sundance audience award back in 2010. And, yeah, Zac Efron’s in there too. Admittedly, he sabotages the theory just wee bit.

The Sundance Review Revue: ROOM 237

Article: The Sundance Review Revue: ROOM 237

In the last couple years, technology has totally changed the world of film criticism. Affordable, easy-to-use editing software has empowered critics to become filmmakers themselves. You can see their work on YouTube, blogs like Press Play, and in movies like Sundance ’12 selection ROOM 237, a film entirely about another film, Stanley Kubrick’s THE SHINING.

The Sundance Review Revue: SMASHED

Article: The Sundance Review Revue: SMASHED

It’s possible that a movie like James Ponsoldt’s SMASHED takes on a special resonance at the Sundance Film Festival. It’s a film about a hard-partying married couple — Breaking Bad’s Aaron Paul and Scott Pilgrim Vs. the World’s Mary Elizabeth Winstead — whose lives are turned upside down when one of them decides to get sober. During Sundance, Park City is practically swimming in booze. Client dinners, cocktail parties, after-parties; there are working distilleries pouring less alcohol than this town right now. It’s probably safe to assume a hefty percentage of the people watching SMASHED were drunk when they watched it. Is it any wonder the critics dug it so much?

The Sundance Review Revue: THE SURROGATE

Article: The Sundance Review Revue: THE SURROGATE

The 2012 Sundance Film Festival has had no shortage of well-received movies. BEASTS OF THE SOUTHERN WILD, DETROPIA, THE RAID and more have drawn very strong, very positive reactions from both audiences and critics. But they all pale before the response to THE SURROGATE, whose reception in Park City has been nothing less than orgasmic.…

The Sundance Review Revue: BACHELORETTE

Article: The Sundance Review Revue: BACHELORETTE

Timing is everything. It doesn’t seem to matter much that BACHELORETTE was first staged as an Off-Brodway play back in 2010. Every — and I mean every — review of BACHELORETTE compares it to BRIDESMAIDS, last year’s runaway smash hit (and now Oscar-nominated smash hit) about the wacky misadventures of a crazed bridal party. When you hear what it’s about — the wacky (and kinda druggy) misadventures of a crazed (and kinda mean) bridal party — the comparison makes sense. But that doesn’t necessarily make it any more fair.

The Sundance Review Revue: SAFETY NOT GUARANTEED

Article: The Sundance Review Revue: SAFETY NOT GUARANTEED

Nothing in this world is guaranteed, especially not a positive response at the Sundance Film Festival. SAFETY NOT GUARANTEED came to Sundance with a great premise and a better cast, but films with more impressive pedigrees riding bigger waves of buzz have crashed and burned in Park City.

The Sundance Review Revue: Spike Lee's RED HOOK SUMMER

Article: The Sundance Review Revue: Spike Lee's RED HOOK SUMMER

Spike Lee’s best movies are always polarizing. DO THE RIGHT THING, MALCOLM X, BAMBOOZLED; Lee has built his reputation on provocative, controversial cinema. In that regard at least, Lee’s new film, RED HOOK SUMMER, finds the director in fine form. It divided the Park City crowd, and then Lee himself took the stage for a Q&A that got them really riled up.

The Sundance Review Revue: DETROPIA

Article: The Sundance Review Revue: DETROPIA

Indie directors looking to shoot a post-apocalyptic film on the cheap: head to Detroit. The reviews — mostly ecstatic reviews — are pouring in for Heidi Ewing and Rachel Grady’s DETROPIA, and they are awash with heartbreaking descriptions of the once-great city’s crumbling infrastructure. At Film Threat, Don R. Lewis describes Detroit as looking like something “from a parallel universe that was hit by an Armageddon.” Others describe how absurdly cheap real estate has become in the area; you can buy a downtown loft for $25,000 because demand is so incredibly low. A director needs to take advantage of this sort of free production value.