In December I shined some SUNlight on Nick Carr, who chronicles his interesting discoveries as a film location scout on his blog. Now he brings us a terrific post featuring Woody Allen’s ANNIE HALL (which happens to be one of my favorite films). Many of Allen’s most iconic films were shot years before I ever stepped foot in New York and a lot has changed since then, but nonetheless the lens through which he captured the urbanscape, pace and experiences of the city still resonates with me. It’s one of the reasons I love this film, as well as MANHATTAN and HANNAH AND HER SISTERS.
image: “Self Portrait with My Son 2012” by Jade Bealle
Because all mamas are hot in their own way, photographer Jade Beall’s new project “A Beautiful Body” invites mothers, both new and old, to celebrate their imperfectly perfect bodies. In a world of airbrushing, Photoshopping and self-loathing, how refreshing! In the coming year she’ll be hitting the road with her now five-month-old son, her partner and her dog in an RV, taking nude and semi-nude portraits of as many women as she can who are interested in participating (and there are a lot!). We recently asked her to tell us more…
Photo credit: Kevin
This week marked the two-year anniversary of the first photo ever uploaded as a test on a mobile photo sharing app that would eventually become known as Instagram. Before it was released for iPhones, it was called Codename (give ’em a break — they’re developers, not marketers). And to foreshadow what would become one of the more popular subject matters for Instagram users, the first photo uploaded featured the super-cute dog you see above. By comparison the first photo ever uploaded to the Internet was an absolute hot mess.
Model Anja Rubik’s new editorial endeavor just launched: 25 Magazine is a high-end fashion magazine, out biannually, that’s dedicated to the erotic perspective of women. In an interview with New York magazine, Rubik explained the sex concept:
Christopher Voelker has been a full-time wheelchair user since the age of 16, when he developed quadriplegia after a motocross accident. Always intrigued by photography, he decided to pursue it as a professional career, despite the considerable barriers for people with disabilities in the industry. Largely self-taught, today he’s an internationally recognized fashion, art, and celebrity photographer with an impressive portfolio that includes some very well-known names, including some of our very own PUSH GIRLS.
From the Internet time capsule (or rather from Cornell University Library’s digital collection of images on photo series from the 1920s of a former Cornell alumnus Ruth Kellogg “demonstrating correct postures for various forms of housework.” I guess these photos could be viewed as early ergonomic manuals of sorts. These were published in
Previously we shared 10 facts about director Stanley Kubrick you might’ve not known. As an addendum to that I want to add that did you know that prior to his film career, Kubrick worked as a staff photographer for LOOK Magazine? LOOK was a bi-weekly, a la LIFE, magazine, which ran from 1937 to 1971. Kubrick completed over 300 assignments between 1946 and 1951. As a New York City resident, the one that fascinates me the most is his gig covering New York City subway straphangers in 1946.
photo “Mish & Colin” from the series Switcheroo by Sincerely Hana
“Sincerely Hana” is a self-taught photographer raised in Whistler and currently living in Vancouver, Canada. On her website, she’s got an ongoing project called Switcheroo: dual portraits of two people each — almost always one man and one woman — standing side by side.
Back in December, we wrote about the stock photo cliche of a couple’s bare feet sticking out from under the covers always used to accompany sex stories. We had no idea back then that a whole internet meme was brewing about the ridiculousness of stock photos. First came women laughing alone with salad. Then there were the hilarious (or sexually suggestive, we suppose? if you’re into that kind of thing) women struggling to drink water. And now, from the blog Vagenda (tagline “Like King Lear, but for girls”), there are stock photos of women looking remorseful after sexual encounters.
While doing a little internet research, our intern Alyssa came across this article from the Telegraph UK entitled “Average Man Has 9 Sexual Partners in Lifetime, Women Have 4” accompanied by a photo like one of those above. Next to the link she sent, Alyssa wrote: “Random Side Note: Why do they always use photos of feet sticking out of a bed for these sex stories? Who has sex with cold feet like that? Doesn’t it make anyone else feel comfortable staring at these random people’s feet? Seriously!” It’s a legitimate (and funny) question.
“Do you need help?” My date asked.
I shook my head. “No, I’m good – I do it all the time,” I answered brightly. I leaned in closer, examining my target carefully as I adjusted the white balance on my camera. Holding my cell phone light in one hand and my camera in the other, I zoomed in on the shrimp-topped squid ink pasta noodles and carefully snapped my first shot. And then a second. And then another from a different angle. Finally, after several more shots, I set my camera down next to my wine glass and looked up with a smile.
As part of its 10th anniversary celebration Foam, a photography museum in Amsterdam, is hosting “What’s Next? The Future of the Photography Museum” an exhibition that investigates the direction of the physicality of photography in public spaces (as opposed to viewing it online). I’m especially impressed with Erik Kessels’ contribution to the exhibit, which tackles the idea of “photography in abundance,” and which (as you can see pictured above) might give a neat freak a heart attack. For his installation, Kessels printed out every single image posted on Flickr in a 24-hour period and then randomly distributed the million+ images throughout the museum space for a completely visually arresting experience (except for the person who has to clean all this up)…
Julia Schauenburg’s photo series “52 bunches of flowers I bought myself” is one of the saddest art projects I’ve ever seen. This German-born, Australian-based photographer bought flowers for herself each week for an entire year and photographed them as they wilted and died. This project reminds me of something Liz Lemon might do if she was an artist instead of a lead writer for a fictional TV show. You can purchase these photos as a limited edition postcard set if you feel like sending your depressing thoughts around or, as an antidote, I recommend this photograph of a flower that might be the most joyous ever.
Over the past few years, with the widespread growth of both digital cameras and the blogosphere, there’s been a rising trend among amateur and professional photographers experimenting with “light paintings” or rather, photographs in which a slow shutter speed captures a light source that is moved to create illuminated shapes and effects. Last year, I blogged here about Freddie Wong, an insanely popular YouTube filmmaker (his channel have over 2.4 million subscribers), who shot a crazy action sequence using this light painting technique…
Michigan-based photographer Tyler Card took his craft to the next (and very literal) level with a Halloween costume that should be submitted to Make’s Halloween costume contest. With the help of Adam Barr, Tyler built this life-size costume of a Nikon D3 DSLR camera, which is impressive in and of itself, but what makes it mind-blowing is that it’s a fully functional, working camera with a “LCD display, built-in flash, and shutter-release button.”
We scoured the pages of Kickstarter to bring you this week’s best projects. Have a great Kickstarter project of your own or see one you think deserves some extra attention? Let us know about it the comments and we may just feature it in our weekly roundup.
Last Bohemia: Those who saw last year’s documentary on New York Times style photographer Bill Cunningham will remember the artist community living in lofts on top of Carnegie Hall, all of whom were evicted (Cunningham included) by the end of the film. A new documentary, LAST BOHEMIA, directed by Josef Astor – himself a former tenant of the Carnegie lofts – aims to document the community of actors, artists, dancers and musicians that were forced from their homes.
I want to highlight Russian artist Philipp Igumnov and his intriguing collection of collages. His dream-like landscapes are oddly familiar; He takes an image as common as a family posing in a field and imbues it with a certain uncanny quality. My favorite is the one pictured above of a child leaping out of the back of a C-130 transport plane. It captures what it feels like to be a child joyously jumping into a pool, but Igumnov ups the stakes by launching the kid out the back of a plane.
I have to admit the novelty of seeing photos snapped by Western photographers visiting North Korea, one of the world’s most isolated locales, has worn off. I would argue that some photographers now almost fetishize the society’s strict, barren and guarded nature. All those visits are tightly controlled by the state and its minders who restrict not only where the photographers can go, see, and who they talk to, but also the specific angle at which they take a photo. If taking a photo of Kim Jong Il, for example, you must do so standing directly in front of him.
But Reuters photographer Carlos Barria traveled to North Korea and broke this mold…
We once did a photo shoot for The Sun, the super trashy but widely popular UK newspaper (you know, the one with the “Page 3 girl”). We were promoting the British edition of our book, The Big Bang. We were young and naive, the photographer was old and pushy, and as he gradually encouraged us to get into sillier and sillier poses, our publicist was there pressing us on. We felt like Coco in the original “Fame.” Don’t get us wrong: we were dressed. But at one point we reluctantly ended up on a bed with one of us holding the other’s bare leg straight up in the air like a lightening rod. It was not what we’d consider sexy, feminine, or us. Fortunately, our inner horror must have radiated out of every pore, because they ultimately ran the article without the pics. (There was a God that day.)
Los Angeles Times photographer Jay L. Clendenin took these portraits of the talented performers in the new LA-based Cirque du Soleil show “Iris,” before and after their make-up and costume transformations (like Caroline Lauzon, pictured above). There’s something so consistently fascinating about before-and-after photograph (which is probably why it’s a staple in the direct marketers’ tool bag, as in all those weight loss, anti-acne and hair loss infomercials). While we understand that there’s a technical explanation for how the transformation took place, we’re still always amazed at the makeover. On a slight tangent, but related to hair loss, one of my favorite jokes on this topic was delivered by comic Sheng Wang: “I’m a positive person. To me going bald isn’t about hair loss. It’s about FACE GAIN. It’s exciting.”
In a fusion of the old and new, analog and digital, Mastergram is a relatively new Tumblr that takes iconic photographs and applies filters from the popular iPhone social app, Instagram. There’s an irony in this exercise, which I find practically blasphemous, because many of the Instagram filters attempt to mimic a pre-digital quality and add a false sense of depth and artistry to often prosaic photos. I was pleased though to see on the site that my all-time favorite photographer Weegee is included. As I previously wrote here, I consider Weegee to be “the godfather of the 21st-century urban blogger.”
These days it seems like there are more “unique” weddings than there are traditional ones — nobody wants to get married like their parents did anymore. And thanks to the Internets, those of us who are less creative can take inspiration from others and steal the best ideas — or just laugh at them in a gently condescending manner. (Like the insta-viral wedding entrance dance routines that you can’t decide whether to love or hate.) But here’s a set of actually unique wedding photos that we just plain love – because they’re funny and dorky yet also artsy and beautiful (and how awesome is it that the bride gets to carry the shovel and deal the fatal blow?). We can just imagine this couple totally dorking out together over their shared zombie obsession. And what’s more romantic than that? Here are some of our favorites (you can see more here).
I absolutely love this photograph taken of Woody Allen at The Metropolitan Museum of Art by Ruth Orkin in 1963 for so many reasons. How do I love thee? Let me blog the ways.
As a lover of puns (an unfortunate quality of mine for my pun-hating friends), I love this entry at Lenscratch, which compiled this ode to puns, intentional and otherwise, snapped by various photographers with a sense of humor. I especially like the 50 Cent image (above), taken “on the mean streets of Portland by Neil DaCosta. The painting elevates it to the realm of “art,” but it does remind me a lot of the “sleeveface” phenomenon a while ago, where people photographed themselves holding record cover sleeves in a similar manner.
Genetics are some kind of crazy, aren’t they? Somehow, filtered through infinite chains of protein codons, I wound up with my mom’s eyes and my dad’s stubbornly straight hair, a strong resemblance to either parent obscured by vague similarities to both. In his new photo series, “Genetic Portraits”, Quebecois photographer, Ulric Collette, elucidates the jumbled likenesses – both obvious and subtle – between family members by splitting their faces and digitally fusing them together. Occasionally, it seems as if he’s fashioned entirely new relatives, Frankenstein-style, in the process.