There’s already been plenty of buzz about the biggest movies to emerge from the Venice Film Festival thus far — if you haven’t heard of them yet, you will soon enough. There’s Terrence Malick’s typically abstruse TO THE WONDER; Spike Lee’s Michael Jackson tribute BAD 25; Paul Thomas Anderson’s Scientology-inspired THE MASTER; and our own Robert Redford’s THE COMPANY YOU KEEP.
paul thomas anderson
Every week there are dozens of film news stories. We read them all and bring you the five most important ones in the single most important blog post you’ll ever read (today [at this moment]). This week: format fumbles, humbled hobbits and late greats.
Every week there are dozens of film news stories. Every week, we read them all and bring you the five most important ones in the single most important blog post you’ll ever read (today [at this moment]). This week: a franchise won’t be returning to the screen but a controversial director will, plus a new tablet and a new MASTER.
The Cannes Film Festival closed up shop this weekend (after some noted scandal) and Michael Haneke’s critical favorite AMOUR is carting home the Palme d’Or, while REALITY by Matteo Garrone nabbed the Grand Prix. AMOUR is Haneke’s second victory at Cannes, after 2009′s sparse and gently unsettling black and white feature THE WHITE RIBBON, and this second win is a testament to his considerable talents: having already established himself as the auteur of much darker fare (CACHE and FUNNY GAMES, especially, weren’t what you’d call feel-good movies), it’s remarkable that he has made an equally successful impression with his latest, decidedly more docile feature, which depicts love, loss and family for an octogenarian couple portrayed by French film legends Emmanuelle Riva and Jean-Louis Trintignant.
While everyone is over the moon about the latest from Wes Anderson, another favorite Director Anderson—namely Paul Thomas of BOOGIE NIGHTS and THERE WILL BE BLOOD fame—has been makin’ waves with his newest project for months. THE MASTER follows a story that very closely resembles the inception of Scientology, the so-seductive religion of the Hollywood elite, and features a stellar cast ranging from Amy Adams to Laura Dern. Apparently, Tom Cruise (the crown prince of that Scientology elite?) got a private screening(after all, Cruise and PT Anderson go way back to MAGNOLIA). The Cruise screening, along with his alleged reservations about the film, is a clear indication that THE MASTER is a sensitive issue amongst Scientologists, who fervently follow the teachings of the extremely controversial (and long dead) L. Ron Hubbard. And now we can all get in on the speculation! The Weinstein Company released a first look trailer of the film direct from Cannes:
Emily Watson is one of those rare, highly versatile actresses that plays such a wide variety of roles – from a private eye to a housemaid to a dead bride and everything in between – that she literally defies typecasting. Two of her most memorable recent roles include Tammy, the assistant to Philip Seymour Hoffman’s Caden Cotard in SYNECDOCHE, NEW YORK (2008) and Margaret Humphreys, a Nottingham social worker in the critically acclaimed ORANGES AND SUNSHINE (2010). I, along with everyone here at Sundance, am eagerly awaiting her next big role alongside Dominic West (The Wire) in APPROPRIATE ADULT, the upcoming Sundance Channel Original Mini-Series, airing this Fall.