paul thomas anderson

10 Sundance Shorts That Kicked Off Careers (Watch Them All Now)

Article: 10 Sundance Shorts That Kicked Off Careers (Watch Them All Now)

Shorts are in many ways a rite of passage for budding filmmakers. They’re made of mistakes, charm and life—and with the realities of cost, time and effort. And some directors break through to showcase at Sundance Film Festival, where they have the chance of catching the eye of the person (or company) that will fund their next project. These are 10 Sundance shorts by directors who went on to make names for themselves–and as an added bonus, you can watch them all right now online. Enjoy!

Venice Film Festival features CARLOS director Olivier Assayas

Article: Venice Film Festival features CARLOS director Olivier Assayas

There’s already been plenty of buzz about the biggest movies to emerge from the Venice Film Festival thus far — if you haven’t heard of them yet, you will soon enough. There’s Terrence Malick’s typically abstruse TO THE WONDER; Spike Lee’s Michael Jackson tribute BAD 25; Paul Thomas Anderson’s Scientology-inspired THE MASTER; and our own Robert Redford’s THE COMPANY YOU KEEP.

Film Intelligence: MASTER work, THE HOBBIT, AVENGERS 2

Article: Film Intelligence: MASTER work, THE HOBBIT, AVENGERS 2

Every week there are dozens of film news stories. We read them all and bring you the five most important ones in the single most important blog post you’ll ever read (today [at this moment]). This week: format fumbles, humbled hobbits and late greats.

Film intelligence: Reboots and resurrections

Article: Film intelligence: Reboots and resurrections

Every week there are dozens of film news stories. Every week, we read them all and bring you the five most important ones in the single most important blog post you’ll ever read (today [at this moment]). This week: a franchise won’t be returning to the screen but a controversial director will, plus a new tablet and a new MASTER.

Cannes in the can: European winners, American losers

Article: Cannes in the can: European winners, American losers

The Cannes Film Festival closed up shop this weekend (after some noted scandal) and Michael Haneke’s critical favorite AMOUR is carting home the Palme d’Or, while REALITY by Matteo Garrone nabbed the Grand Prix. AMOUR is Haneke’s second victory at Cannes, after 2009′s sparse and gently unsettling black and white feature THE WHITE RIBBON, and this second win is a testament to his considerable talents: having already established himself as the auteur of much darker fare (CACHE and FUNNY GAMES, especially, weren’t what you’d call feel-good movies), it’s remarkable that he has made an equally successful impression with his latest, decidedly more docile feature, which depicts love, loss and family for an octogenarian couple portrayed by French film legends Emmanuelle Riva and Jean-Louis Trintignant.

It's that Scientology movie: A look at THE MASTER with Joaquin Phoenix

Article: It's that Scientology movie: A look at THE MASTER with Joaquin Phoenix

While everyone is over the moon about the latest from Wes Anderson, another favorite Director Anderson—namely Paul Thomas of BOOGIE NIGHTS and THERE WILL BE BLOOD fame—has been makin’ waves with his newest project for months. THE MASTER follows a story that very closely resembles the inception of Scientology, the so-seductive religion of the Hollywood elite, and features a stellar cast ranging from Amy Adams to Laura Dern. Apparently, Tom Cruise (the crown prince of that Scientology elite?) got a private screening(after all, Cruise and PT Anderson go way back to MAGNOLIA). The Cruise screening, along with his alleged reservations about the film, is a clear indication that THE MASTER is a sensitive issue amongst Scientologists, who fervently follow the teachings of the extremely controversial (and long dead) L. Ron Hubbard. And now we can all get in on the speculation! The Weinstein Company released a first look trailer of the film direct from Cannes:

My favorite Emily Watson – looking back at her most memorable roles

Article: My favorite Emily Watson – looking back at her most memorable roles

Emily Watson is one of those rare, highly versatile actresses that plays such a wide variety of roles – from a private eye to a housemaid to a dead bride and everything in between – that she literally defies typecasting. Two of her most memorable recent roles include Tammy, the assistant to Philip Seymour Hoffman’s Caden Cotard in SYNECDOCHE, NEW YORK (2008) and Margaret Humphreys, a Nottingham social worker in the critically acclaimed ORANGES AND SUNSHINE (2010). I, along with everyone here at Sundance, am eagerly awaiting her next big role alongside Dominic West (The Wire) in APPROPRIATE ADULT, the upcoming Sundance Channel Original Mini-Series, airing this Fall.