Executive Producer Veena Sud’s THE KILLING premiered on AMC last weekend, and it’s got a lot going on. First of all, in concept, it proves the brilliance of European storytellers. Based on the Danish series Forbrydelsen, the premise is one episode per narrative day – so one 13-episode season equals 13 days on a murder investigation. Three stories surrounding the murder of a Seattle teen intertwine: the police, the grieving family and the suspects. Now why couldn’t an American think of that? It subverts the entire cop procedural formula, allows for a type of storytelling that is practically non-existent in the States, and pairs a crime story with serious character investigation — a joy.
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