Funny sex scenes are often our favorite kind. Ironically, they tend to portray much more realistic sex than their serious, sultry counterparts–in funny sex scenes, you get weirdness, kink, awkwardness, jealousy, fantasy — oh yeah, and condoms. Below are ten times we laugh out loud while watching people roll around on the sheets.
1984 was a banner year for scary movies–they were creepy, funny and lacking in CGI special effects. But while these movies thrilled and chilled us 30 years ago, do they stand the test of time? We screened them all again to see which ones still held up.
New York in the ’80s was a time and place all its own: grimy subways, decaying buildings, violent crime and colorful characters. Here are some of movies that captured the essence of the city before Rudy Giuliani came along and cleaned the place up.
Before starring as Nessa Stein in the all new SundanceTV series THE HONORABLE WOMAN, Maggie Gyllenhaall starred in both indie films and Hollywood hits including Donnie Darko, Secretary, and The Dark Knight. Take this quiz to find out which Maggie Gyllenhaal character you are.
Kevin Gleeson, who has been doubling as Keith Richards in The Rolling Stones cover bands Beggars Banquet and Sticky Fingers for 15 years, shares his insights on his alter ego, Mick Jagger and their work in cinema.
Christina Hendricks’ portrayal of Joan Harris on Mad Men turns heads for sure. But the talented redhead — who just earned her fourth Emmy nomination — is so much more than an hourglass figure and a pen necklace. To wit, her top five movies.
Q: 1. If you were going to turn a friend on to heavy metal, is there a documentary you’d recommend?
A: There are so many! I would say the best introduction to the genre, its origins, and its fans would be the 2005 documentary Metal: A Headbanger’s Journey. It follows a Canadian anthropologist and metalhead named Sam Dunn around the world as he interviews metal fans, bands, and founding fathers of the form, such as Tony Iommi, the guitarist of Black Sabbath, and Bruce Dickinson of Iron Maiden. The flick shows the diversity and passion and vast scale of the global metal scene. Secondly, I would suggest watching Lemmy, a 2010 documentary about the iconic bassist and singer of Motöhead. At 68, Lemmy has witnessed and fueled the evolution of rock and roll and metal in his lifetime. How he’s still doing it is anyone’s guess.
Isabella Rossellini came to fame as David Lynch’s muse in cult favorites like Blue Velvet and Wild at Heart. More recently, she’s become an auteur of the internet with her SundanceTV web series GREEN PORNO, SEDUCE ME and MAMMAS. But putting aside her online shorts on insect sex and animal lust, what’s your favorite movie in her career?
RECTIFY composer Gabriel Mann discusses supporting a subtle story and working in different genres through other shows like Modern Family and Arrested Development.
Q: What does RECTIFY‘s score say about the show?
A: I hope that it’s actually not saying a whole lot. The characters in RECTIFY are so carefully drawn that my job really is to support what they’re saying, doing, viewing. I guess you could say that the music in general is about the overall feeling of Daniel’s situation, his emergence from prison and the starkness and the loneliness of that experience. I mean, the music’s not all stark and lonely. There are moments of levity and beauty. I hope the music is not telling us too much, rather than just supporting and reacting to the characters and the town and the family relationships.
Q: Say you’re composing for a specific scene. Do you work from the script, from a rough cut or something else?
If love were easy, romantic films wouldn’t exist. In the movies, the quest for love is like trying to swim across a wide, piranha-filled river while arrows are shot at you from all sides. And in the end, whether we win love or lose love, we learn from it. These ten films preach the gospel of perseverance, no matter what the treasure chest of romance ultimately holds.
1.Hannah and Her Sisters (Woody Allen, 1986)
Thanksgiving parties bookend two years of romance, adultery, betrayal, alcoholism, religious mania and hypochondria among a group of erratic New Yorkers. Lesson learned: Love is better when you accept that it is very unpredictable. Also, New Yorkers can be quite neurotic.
Masterful at portraying unusual characters, Australian actor Geoffrey Rush has been an artist, a revolutionary, a tailor and a pirate (among others); he’s been Russian, Israeli, French and British (among others). To top it off, many of these characters are based on real people, making it that much trickier to get them just so. Vote…
There’s no scandal as juicy as a sex scandal. And when political intrigue gets mixed in, well, that just ups the ante. Lest you think that political sex scandals are a modern invention, here’s a breakdown of movies — all based on true stories — over the last half century.
The Devils (1971)
Talk about sordid: Back in 1634, French Catholic priest Urbain Grandier (Oliver Reed) was burned at the stake in connection with a series of supposed demonic possessions. The powerful Cardinal Richelieu used the accusations of a twisted, sexually obsessed nun (Vanessa Redgrave) as fuel to pursue a political vendetta against Grandier. The movie, directed by Ken Russell and based on a book by Aldous Huxley, met harsh criticism in the U.S. and U.K., both of which gave it an X rating because of violence and explicit sex scenes (two words: nun orgy). It has since been embraced as a cult classic.
Based on the memoir of a former stripper, Blaze recounts the passionate love affair between Louisiana Governor Earl Long (Paul Newman) and his buxom babe Blaze Starr (Lolita Davidovich). They may have been an unlikely pair, but their connection held fast even when the governor’s rivals used their relationship against him when he advocated for black voting rights). Having a fling with a stripper is one thing; what really riled up his adversaries was when they moved in together.
If you spend a lot of time analyzing movie sex scenes like we do, you might find yourself rolling your eyes at how many on-screen couples manage to have sex without ever showing any skin… or who fall asleep with a sheet covering them just so… or who always put on a shirt and underpants when they get out of bed to pee, no matter how raunchy things just got. Where’s the nudity? Where’s the raunch? For further feverish research on your own time, you might want to look up the work of the following ten directors who are very, shall we say, comfortable with on-screen nudity. And we mean the real kind — not the CGI kind. Only after we finished this list did we realize it was entirely male, which we suppose shouldn’t surprise us — after all, most of the nudity is female. But we dug up male nudity — or, at least, equal-opportunity nudity — where we could. You’re welcome!
1. Edward Zwick
Edward Zwick may not have directed as much on-screen nudity as the other people on this list (unless we missed something in 1989′s Glory), but he takes the number one slot because he is the only director on the list, who got naked himself while shooting a nude scene.
Summer may not officially end until later in September, but come on: Labor Day has passed, and summer is over. It’s time to put away summer spectacles and let cool breezes and chillier moods wash over you. You can get away with less ebullient movies in the fall than you can in the summer; this goes for Sundance Channel, too — just check out this month’s lineup. It’s hard to get too bummed out by a well-told story or a stylishly made film (then again: DANCER IN THE DARK), but these are 10 seriously messed-up stories. In ascending order of potential to disturb you…
Photo credit: The Movie Waffler
Looking for a great way to beat the heat? Summer has always been a time for everything to run high: temperature, hormones, blood pressure, nerves. And a summer thriller is the perfect way to make them all go over the top. This is the season that has seen some of the best horror and thriller classics of all time, like ROSEMARY’S BABY, THE BLAIR WITCH PROJECT and THE SIXTH SENSE. And those titles are in great company with the following list.
Our poet friend Mark Bibbins is the author of “The Dance of No Hard Feelings”, a prof in the graduate writing programs at The New School and Columbia, and the poetry editor of The Awl (“Be Less Stupid”), where he features one or two pieces by a poet each week. His latest selection — “Romeo + Juliet Poem” by Krystal Languell, who’s on the board of the Belladonna* Collaborative — really caught our attention: It’s fun, sexy, visceral (see excerpt below). Since our enjoyment of good poetry usually involves quoting THE PRINCESS BRIDE (“No more rhymes now, I mean it.” “Anybody want a peanut?”), we asked Mark to give us some insight into this particular poem.
To follow up on our Vaginagate roundup post from yesterday, now that the trending on Twitter had died down, here are our top 30 picks for best #vaginamovielines Tweets of the past week, so you can avoid scrolling through the endless stream of mediocrity and get straight to the good stuff:
Spider-who? Bat-who? Bourne-who? Forget the summer action blockbusters. This season we’re much more interested in the softer, sassier, saucier flicks. Instead of aliens, action and adventure, sex, love, family and friendship are the big themes with these movies. Women make up a majority of the lead roles (for a change). Most are indie. And for some reason they all come out this month. Guess it makes sense to get your summer love on early.
Theresa Shecter and the gals at Trixie Films are making a documentary called “How to Lose Your Virginity” — it’s goal is “to undo centuries of myths and contradictions around virginity, and to encourage an honest conversation with people navigating the confusing process of deciding when and why to become sexual.” Its subjects include a rock violinist, an Ivy League blogger, an Ohio engineer, a porn producer — all subverting the virginity narrative.
Tickets go on sale today for Morgan Spurlock’s new documentary, MANSOME, as part of the 2012 Tribeca Film Festival — but only for American Express cardholders (Amex is a founding sponsor of the festival). The rest of you plebes can order tickets next Monday for the screenings which start on Saturday, April 21st and run through the following week. Then the film hits the rest of New York and also Los Angeles on May 18th.
The world of film is changing. For one thing, there’s not much actual film anymore. The future is digital; more and more, it’s streaming on our computers, too. Every week in Watch This Now, we survey the landscape of online movies to bring you a snapshot of what’s available. This week, the end is nigh — whatever nigh means — as we watch some end-of-the-world movies.
The world is coming to an end. Not in a vague, one-of-the-days sort of way; this is definitive and precise and all too soon. What do you do? The possibility of the end of the world looms over many science-fiction films; the aftermath of the end of the world is the focus of even more. But a smaller and more thoughtful subset approach the apocalypse from this unusual angle. The only race against time in movies like these has nothing to do with blowing up asteroids or defusing a doomsday bomb; it’s just that all too familiar urge to do all the things you’ve ever wanted to do before it’s all over. So what would you do if the end was coming? Personally, I’d make some reservations at Per Se before they all get snatched up.
“How come there are so many movies about a teenage boy who wants to have sex and this is the only one about a teenage girl who wants to have sex?” Thank you! We’ve been wondering all our lives where decent depictions of young female sexuality have been. Apparently in Norway. We haven’t seen it yet, but by all accounts the Scandinavian film TURN ME ON, DAMMIT! — an adaptation of the Norwegian novel of the same name — is refreshing, honest and hilarious. The film won “Best Screenplay” at the Tribeca Film Festival, “Best Debut Film” at the Rome Film Festival and “Best European First Feature” at Mons International Love Film Festival. And critics have been singing its praises:
Yesterday we discussed celebrities with porn names. Today we’re talking about celebrities in porn movies. Okay, not actual skin flicks. No, movies about skin flicks. Just as there are two modern movie versions of Snow White coming out at the same time (our money’s on Charlize Theron’s evil queen kicking Julia Roberts’ queen’s ass), there are also two competing star-studded Linda Lovelace biopics, plus an indie film about a fictional rising pornstar: INFERNO: A LINDA LOVELACE STORY, LOVELACE and CHERRY, respectively. The latter two star James Franco. (Of course they do.) Here’s a more elaborate breakdown of each’s cast:
When the Oscars primarily entail being lectured by a bunch of narcissistic celebrities about how awesome and important their jobs are, when the highlight is Sacha Baron Cohen spilling the Bisquick ashes of Kim Jong Il all over “Bryan” Seacrest’s $1000 suit on the red carpet, and when the most scandalous moment of the night revolves around determining whether J. Lo is accidentally (or purposely?) showing areola or not, then you know you’ve got to make things a little more interesting. Here’s how: imagine what movies would have won if the Academy wasn’t so afraid of sex:
In “The Review Review,” we turn dozens of movie reviews from all over the Internet into one handy blog post. It’s like super-concentrated orange juice for film criticism (with less pulp and Vitamin D). This week: we find out whether critics had a cow over BULLHEAD.