After William Kentridge graduated from art school in South Africa, he decided to study theatre and mime in Paris, but “was fortunate to discover that [he] was a bad actor…and was reduced to an artist.” His hopes of acting may not have panned out, but it’s no wonder that performance is such a big part of his work as the latest exhibition at the MoMA highlights. “Five Themes” surveys the last three decades of Kentridge’s work, which includes print, books, collage, drawing, sculpture, animation and performance art. The themes tend to revolve around political movements like the first South African democratic election in 1994 to projects like “The Nose,” Kentridge’s most recent undertaking.
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