master shots

Allen’s MIDNIGHT IN PARIS and the Mysterious Floating Master

Article: Allen’s MIDNIGHT IN PARIS and the Mysterious Floating Master

In my own filmmaking education, the term ‘floating master’ was floated my way during one fine day of learning, uttered by an esteemed and respected editing teacher. I remember sitting in the classroom thinking … “Huh?” It sounded more Buddha-on-a-lily-pad than technical film coverage term. I believe she referenced the phrase – which is really ‘floating master shot’ in the same breath as the name Woody Allen, and as I watched MIDNIGHT IN PARIS this week, I harkened back to this particular method of working and its effects on narrative. MIDNIGHT IN PARIS, by the way, is a finely charming narrative indeed. And Woody Allen does, by gum, utilize the floating master over and over and over.