Sundance Institute today announced the addition of two films to the 2014 Sundance Film Festival: WISH I WAS HERE (Director: Zach Braff) to the Premieres section and CLERKS (Director: Kevin Smith) for a special From the Collection midnight screening. The 2014 Festival will be January 16-26 in Park City, Salt Lake City, Ogden and Sundance, Utah.
The world of film is changing. For one thing, there’s not much actual film anymore. The future is digital; more and more, it’s streaming on our computers, too. Every week in Legal Download, we survey the landscape of online movies to bring you a snapshot of what’s available. This week, the camera is a mirror for our survey of autobiographical films.
THIS WEEK’S THEME: Autobiography
Every week there are dozens of film news stories. Every week, we read them all and bring you the five most important ones in the single most important blog post you’ll ever read (today [at this moment]). This week: SXSW hands out some awards, Kevin Smith tries releasing other filmmakers’ movies via SModified distribution, and David Cronenberg tries TV.
Lo here: Em has always been a Howard Stern fan. As a staunch, man-hating feminist, I never got on board. Too many sad strippers willing to be reduced to body parts for love and attention – at least back in the K-Rock days. No, for provocative, foul-mouthed, sex-related audio content, I’ll take Kevin Smith’s Hollywood Babble-On with Ralph Garman any day. They’re by no means above female objectification, but they believe in equal opportunity objectification. Take for example, their regular segment on Liam Neesson’s infamously large endowment (“Liam Neesson’s cock is so big…”). Smith will even admit on air to homoerotic urges without fear or shame (hello, Thor!). They do a show every week loosely arranged around all things entertainment industry-related, so if you’re an US Weekly junkie like Em, you can get your celeb gossip AND your dick jokes all in one place! Plus, Garman is an amazing vocal impersonator: Sean Connery, Adam West, Harrison Ford, etc.
(Photo by Chelsea Lauren/Getty Images)
It’s been a long week—exhilarating, grueling, and never, ever dull—but Sundance 2011 is officially over. The stars, the studio executives, and the filmmakers have all packed up their North Face gear and headed home, wherever that may be.
Looking back on the last several days, there were some amazing, quintessentially Sundance-ian moments. We got to meet Robert Redford! We got to talk to young, idealistic, and extremely talented new artists (Brit Marling, Mike Cahill, for instance) whom we will certainly be hearing more from, and who are a reminder of Sundance’s real purpose (beyond an excuse to see a lot of great movies in the middle of a snowy paradise). As Marling told us, just following the premiere of ANOTHER EARTH, “I feel so lucky to be a part of this. Sundance is bringing together all these people and you know, brings them all into this little, this tiny town in the middle of the snow, and everyone can just talk and revel in ideas and make them into realities. It’s pretty awesome.”
Kevin Smith protests the Westboro Baptist Church.
First there was the hype, then there was the letdown, and now, a day after Kevin Smith screened his latest film, RED STATE at Sundance, there is the residual anger. On Sunday, the CLERKS writer-director stunned audiences and film buyers alike by announcing that he was not, as promised, going to auction off the distribution rights to RED STATE, a movie he touted as a “horror movie” inspired by Westboro Baptist Church leader Fred Phelps.
Instead, Smith bought the rights himself, for twenty bucks, and said that in an act of anti-studio-system protest, he’d sell his own film, starting things off with a 15-city tour this summer. Smith’s disingenuousness was made all the worse by the overload of characteristic Smith hype that preceded RED STATE’s screening. (The protest/counter-protest outside the Eccles Theater being just one piece of his elaborate fabric.) Not helping matters is that the film, though loved by certain Smith die-hards, is generally considered a disappointment.
Kevin Smith’s RED STATE, which opened at the Sundance Film Festival on Sunday night amidst protests by the inflammatory Christian fundamentalist group that inspired it (and counter-protests, in which Smith himself participated), is “cleverly contrarian enough to get a rise out of almost any audience,” Hollywood Reporter critic Todd McCarthy writes in one of the…
If you think things are going to be busy for you during the Sundance Film Festival, spare a thought for the actors who have more than one film premiering there. Take, for instance, Kyle Gallner, a 24-year-old actor who stars in both Kevin Smith’s horror film RED STATE and Elgin James’ in-competition LITTLE BIRDS. Gallner, best…
It must be January. Having packed the Golden Globes, the AFI luncheon, the Broadcast Critics Film Association awards, and a zillion other galas and parties into one weekend, it’s now on to the next thing: Sundance, which kicks off on Thursday, meaning Hollywood has exactly three days to get over their hangovers, charge a few more North Face puffy jackets to the AmEx, and figure out how, exactly, to fit in three movies, four dinners, and two after-parties into one Saturday night.
The recently released trailer for Kevin Smith’s new film, RED STATE, which will premiere at the Sundance Film Festival next month, does more to evoke a mood than to reveal the plot. But it does make one thing perfectly clear: The film is a definite departure for the writer-director who made his reputation bringing to the screen slacker comedies like CLERKS and MALLRATS.