Julia Alarcon

Episode Recap – Julia Alarcon – Too Pricey for Nordstrom

Article: Episode Recap – Julia Alarcon – Too Pricey for Nordstrom

I said it to Dana-Maxx, I said it to Leila Shams, and I said it to Julia Alarcon. There will always be something special about a woman designer designing for other women. There’s that innate, intangible quality of understanding what exactly another woman wants. With Julia, I felt she had a double advantage. She also – after starting Act 2 as a designer in her 40′s – had the advantage of her maturity.

Julia wasn’t a kid figuring out her life. Sure, she shared a lot of the same woes (freshly graduated, struggling to keep her business afloat, building accounts) but she was never wishy-washy in her approach. Her life was mapped out; she knew exactly what she should be doing and designing was it. This was a quality I would come to admire greatly in her but be equally frustrated by at the same time. She was so aware of what she wanted her collection to be, what it should cost (most of the time, too much), and who should wear it. Even during the times we disagreed, Julia, always courteous and polite, stood by her designs and her convictions.

Which may not have had quite outcome I had hoped for.

It’s Like a Weird Freaky Friday Moment. Tonight at 10p.

Article: It’s Like a Weird Freaky Friday Moment. Tonight at 10p.

In an effort to not date myself, one of my all-time favorite movies is the Mike Nichols-directed WORKING GIRL with Sigourney Weaver and Melanie Griffith. For me, it reeked of all the right elements: money, power, New York skyscrapers, sharp dialogue, good humor, strong women. It was all about big furs, big breaks and big perms and I loved it.

My favorite scene (duh! of course!) was when Tess McGill (Melanie’s character) had the run of Katherine Parker’s (Sigourney) closet after assuming her identity. The minute she threw open those closet doors you could smell the authority. There it all was: a lady in charge as embodied by a closet full of chic gowns, lush furs, immaculately tailored pantsuits and pencil skirts. You wanted to rummage and try everything on as much as Tess did because like Tess, these weren’t just clothes. No, it was more than that. It was the symbol of that ultimate chic working woman.