Over the past year or so I’ve observed haikus, that “less is more” form of Japanese poetry, making a quiet stealthy encroachment and presence upon online pop culture through a variety of means. Some of these I’ve mentioned around these SUNfiltered parts, which makes me wonder whether we’re witnessing an emergence of haikus and a comeback for the genre of poems in general back into something possibly more mainstream or at the least “meme-stream.” I had written earlier about a reader of the New York Times online edition who has gained some small measure of fame for his comments left in limerick form. The best recent example of the merging of pop culture with poetry occurred when Salman Rushdie tweeted his thoughts on the Kim Kardashian divorce in limerick form. In fact, the latest issue of New York Magazine’s Intelligencer focused on the poets or at least on the tough economic realities of that noble profession (Walt Whitman had a second job as a government clerk). If you’re not convinced of my thesis on the pop emergence of poems, but specifically haikus, I turn your attention to the following exhibits.