“Goodfellas,” “Casino,” even “Home Alone”… Pesci’s got the mobster routine down cold.
A mobster’s favorite means of control? Violence, which is a staple of gangster culture—and, by extension, mob movies. “Bonnie and Clyde,” “The Godfather”…. Here are 10 of the most gruesome scenes you’ll ever see in movies about the Mafia.
Martin Scorsese is one of the most inspired movie directors of all time, one who’s managed to reinvent himself from Hollywood enfant terrible to elder statesman of American cinema. Here are the six Scorsese films that have earned a spot in 1001 Movies You Must See Before You Die.
Every great movie starts a great script, but sometimes the greatest moments in cinema are captured when an actor “goes off book” and conjures a mesmerizing gesture or unforgettable line on the spot. To wit, here are 10 spontaneous bits in “Goodfellas,” “Annie Hall,” and more that have since been emblazoned into filmmaking history.
Drug dealers, informers and wiseguys… we love a mob movie. And one of the best mob movies of them all? Undoubtedly, “Goodfellas.” Here are favorite scenes with Tommy, Jimmy, Henery, Karen and more.
Sure, you could just serve popcorn at your next movie night with family or friends — but how about taking it to another level? With the help of some expert chefs, ShortList.com has recipes that emulate famous meals from iconic films, like the Big Kahuna from PULP FICTION and the prison meal from GOODFELLAS (my favorite gangster movie). So instead of popcorn, on your next GOODFELLAS night enjoy the same delicious pasta meal Paulie, Vinnie, Johnny Dio and Henry sit down to in prison. Whether or not to chop the garlic with a razor blade is entirely up to you. As Paulie (Paul Sorvino) says when Henry (Ray Liotta) produces the bottles of red and white wine: “OK, now we can eat… OK, boys let’s eat.”
Every week there are dozens of film news stories. Every week, we read them all and bring you the five most important ones in the single most important blog post you’ll ever read (today [at this moment]). This week: a report from the frontline of WORLD WAR Z, the vanishing movie audience and Terrence Malick gets caught on film (but almost gets away).