Gemma Kahng

Episode Recap – Gemma Kahng – "I was misty-eyed!"

Article: Episode Recap – Gemma Kahng – "I was misty-eyed!"

I think the interesting case here with Gemma wasn’t necessarily so much what she was going to learn from ME, but what she had hopefully also learned from her own past experiences. Gemma is by far the most mature and most successful of all the designers featured on ALL ON THE LINE, which can be an advantage and a disadvantage. Yes, she had the experience and know-how of making it happen again but the disadvantage laid in trying to make that happen in a very fickle and unforgiving industry. An industry she was trying so hard to impress once again.

There’s no denying that the fashion industry is always chasing what’s new and what’s next and not necessarily looking for what’s yesterday or once upon a time. She would need to jump that very hurdle and start being seen as relevant, welcomed and most of all, important again in the eyes of the fashion world. This would be my biggest challenge yet.

Bring on the A-List. Tonight at 10p.

Article: Bring on the A-List. Tonight at 10p.

Deciding to work with Gemma Kahng was a no-brainer. She was, in my mind, a creative fashion force that may have dimmed over the last decade or so, but had the potential to shine bright again. This wasn’t just an assumption; it was a fact.

You see, Gemma had already tasted the success I try so hard to help the designers attain each week.

I met Gemma Kahng back in the early 1990′s when I was just starting out as an assistant for Polly Mellen at Allure magazine. Gemma was one of those names that were always tossed out whenever Mrs. Mellen was conceptualizing her shoots and needed clothing called in. This was commonly heard at her run-throughs: “What about those incredibly chic suits from Gemma, Joe?”

Obedient, I would head up to Gemma’s headquarters at 550 7th Ave — a landmark garment district building that houses the showrooms of only A-list designers, among them Ralph Lauren, Donna Karan and Oscar de la Renta. Gemma’s vast showroom there would have plenty of staff buzzing about and racks and racks of her new collections. She was the game back then.

In those days, Gemma was everywhere. I remember seeing her clothes make the cover of Vogue worn by supermodel Christy Turlington and a year later, it would be a butt-exposing jumpsuit worn by Madonna in the pages of Vanity Fair. And her clothes would fill the floorspace of every major department store from Bergdorf Goodman to Bloomingdale’s. To say Gemma was successful back then is selling her short.

Then one day it all just disappeared.