Tickets go on sale today for Morgan Spurlock’s new documentary, MANSOME, as part of the 2012 Tribeca Film Festival — but only for American Express cardholders (Amex is a founding sponsor of the festival). The rest of you plebes can order tickets next Monday for the screenings which start on Saturday, April 21st and run through the following week. Then the film hits the rest of New York and also Los Angeles on May 18th.
“How come there are so many movies about a teenage boy who wants to have sex and this is the only one about a teenage girl who wants to have sex?” Thank you! We’ve been wondering all our lives where decent depictions of young female sexuality have been. Apparently in Norway. We haven’t seen it yet, but by all accounts the Scandinavian film TURN ME ON, DAMMIT! — an adaptation of the Norwegian novel of the same name — is refreshing, honest and hilarious. The film won “Best Screenplay” at the Tribeca Film Festival, “Best Debut Film” at the Rome Film Festival and “Best European First Feature” at Mons International Love Film Festival. And critics have been singing its praises:
Yesterday we discussed celebrities with porn names. Today we’re talking about celebrities in porn movies. Okay, not actual skin flicks. No, movies about skin flicks. Just as there are two modern movie versions of Snow White coming out at the same time (our money’s on Charlize Theron’s evil queen kicking Julia Roberts’ queen’s ass), there are also two competing star-studded Linda Lovelace biopics, plus an indie film about a fictional rising pornstar: INFERNO: A LINDA LOVELACE STORY, LOVELACE and CHERRY, respectively. The latter two star James Franco. (Of course they do.) Here’s a more elaborate breakdown of each’s cast:
When the Oscars primarily entail being lectured by a bunch of narcissistic celebrities about how awesome and important their jobs are, when the highlight is Sacha Baron Cohen spilling the Bisquick ashes of Kim Jong Il all over “Bryan” Seacrest’s $1000 suit on the red carpet, and when the most scandalous moment of the night revolves around determining whether J. Lo is accidentally (or purposely?) showing areola or not, then you know you’ve got to make things a little more interesting. Here’s how: imagine what movies would have won if the Academy wasn’t so afraid of sex:
Enough of this passive internet browsing! We’re bringing our latest, greatest, indie cinema stuff directly to your inbox. Starting right now Sundance Channel will commit to making sure you don’t miss:
Ah, lovely, fragile February. While the groundhogs can’t seem to
Got a lawn? Ever stopped to consider the amount of time, money, and natural resources you put into keeping that grass green? The watering, fertilizing (whether through organic or conventional means), mowing, and weeding? No doubt that lawn grass is the most high-maintenance plant on the planet (as the expert in the video above observes)! Even if you’re not a greenie, is that really how you want to spend your time, energy, and money?
One of my favorite, little joys of living in New York City is having my way blocked by a film shoot. Sarcasm aside, there’s something pretty wonderful about walking down a random street only to suddenly remember a scene from a movie that was shot in that exact location. It’s a sensation that makes living in a somewhat difficult city (but one which has had an iconic role in countless films) worthwhile. And after living here awhile you occasionally come across an interesting street or building and you start thinking “This would be an awesome location for my theoretical rom-com about the pedicab driver who falls in love with an uptown girl” – in other words, pretending to be a location scout.
Comedian and self-declared VHS enthusiast Richard Sandling owns over 3,000 movies on VHS, and he scanned 200 of their covers for this project. His collection seems to lean heavily on pulp, but this might also be a reflection of the era in which VHS was most prevalent. And as much as I laughed at many of the covers…
The above cinemagraph is from the 1926 silent film, THE GENERAL, starring and co-directed by Buster Keaton. And this climatic shot is believed to the single most expensive scene in silent film history, at a cost of $400,000. Considered “one of the greatest of all silent comedies (and Keaton’s own favorite) – and undoubtedly the best train film ever made,” this epic scene, filmed near the town of Cottage Grove, Oregon, used a real train (with a “dummy” conductor) and was shot in a single take.
Any movie with full frontal male nudity in the first five minutes is automatically a winner in our book. And that’s what you get with 2008′s NIGHTS AND WEEKENDS, the last in September’s “Lover’s Lounge” series on the Sundance Channel (airing Saturday night/Sunday morn, September 25th at 12:45am and again at Tue night/Wed morn at 2:30am – set your Tivos).
We scoured the pages of Kickstarter to bring you this week’s best projects. Have a great Kickstarter project of your own or see one you think deserves some extra attention? Let us know about it the comments and we may just feature it in our weekly roundup.
Teagueduino: Don’t know how to solder to embed code? Meet Teagueduino, “an open source electronic board and interface” that shows you “the ropes of programming and embedded development (like arduino). Teagueduino is designed to help you discover your inner techno-geek and embrace the awesomeness of making things in realtime – even if you’ve only ever programmed your VCR.”
The last day of August means two things: the official end of Summer (boo) and the beginning of Fall (yay) – and with it, a whole month chockfull of specially chosen films on Sundance Channel (double yay!). We’ve got blocks of sexy films, environmental films, foreign films, independent films and festival premiers. You’re bound to see some old favorites, some big screen hits and plenty of new classics just waiting to make their way onto your Best Films of All Time list.
Set on a snowy, Norwegian mountainside, HAPPY, HAPPY – a World Cinema Jury Prize winner at this year’s festival – tells the story of Kaja, a wife and mother who eagerly seeks friendship in Elisabeth and Sigve, the exciting (they adopted an Ethiopian boy!) and precariously tall couple coming to live in their guest house. Kaja’s obvious longing for affection is due in large part to the negligence of her husband, a latent homosexual whose “hunting excursions” and weird, outdoor Tee-Pee of Solitude – called a “lavoo” in Norwegian – ain’t fooling nobody. Soon, Kaja’s need to please bumps up (literally) against Sigve’s desire to be taken seriously by his wife, whose dalliances back in the city instigated their move to the mountain in the first place. A few sweaty rolls on the floor later and a couple-swap has taken place. Oh, and there’s some really messed up stuff going on with the kids, one of whom tries to “enslave” the other by beating him with a wet dish towel.
2011 marks the 20th anniversary of Woody Allen’s SHADOWS AND FOG, meaning, among other things, that the prolific filmmaker has made 20 films since (actually, he’s made 21, but who’s counting?). In 1989 Allen made the much-loved CRIMES AND MISDEMEANORS, followed by the slightly less loved ALICE, and then SHADOWS AND FOG, which was, unfortunately, even less of a hit amongst audiences. The early 90s New York Times film critic Vincent Canby actually ended his review with a ridiculous “note of caution: SHADOWS AND FOG operates on its own wavelength. It is different. It should not be anticipated in the manner of other Allen films.”
The amazing writer Edie Meidav (who also happens to be our friend and neighbor) is out today with a new novel: “Lola, California”, called “brilliant” and “awesome” by Publisher’s Weekly. Meidav is such a force of inspiration that art practically gets spontaneously generated in her wake: above is a beautifully haunting short film created by Snapdragon that’s inspired by “Lola” along with Meidav’s narration; and here is music inspired by the book from Kevin Salem, who calls it “part soundtrack for the reader, part songs inspired by the text … and part music inspired by the cultural identity of the novel.” Below is one of two excerpts from “Lola, California” that Meidav is generously allowing us to publish here — this one about a rape on a Greek island. Stay tuned next week for the second excerpt about two friends go-go dancing. Both are compelling creepy and deeply moving, even without the context of the full novel:
Now evil has a name: Manic pixie dream girl. Actually, the name was coined back in 2007 by the AV Club’s Nathan Rabin, but somehow we only just learned about it the other day. Back then, Rabin was panning Elizabethtown and used the term to describe Kirsten Dunst’s character, second in annoyingness only to Natalie Portman’s character in Garden State:
This doesn’t have much to do with love and sex, except that we love this trailer which features an adorable product of sex. The teaser is from the short film LAS PALMAS by Johannes Nyholm, which just won the Short Film Award and the Audience Award at the Gothenburg Int’l Film Festival, Startsladden. (The jury…
An image from Andrew Rossi’s Page One: A Year Inside the New York Times
One thing that has been nagging us as we consider this year’s Sundance, now that we have time to gather a bit of perspective, is this: for all the talk of movie deals; and all the hooplah made over more commercial-minded films like My Idiot Brother, which, though a very good film, and a very fun film, is not by no measure a great film; why was there so little discussion about the documentary entries at the festival? A category, which in our humble estimation, was exceedingly superior to the feature film category.
I don’t quite know what to make of the Black Spark. His website, and videos (which have gone missing, most likely to reappear on his new site), are creating much buzz in the gay world. He makes films. Beautifully shot, artistic films. That also include graphic sexual scenes. Anal sex. Cum shots. Some nasty stuff.…
With so many soup cans and Monroe images out there its easy to forget that Andy Warhol was not a one trick pony. The artist was also a prolific filmmaker and a new exhibit at NYC’s MoMA spotlights those films. From MoMA: Among Warhol’s cinematic oeuvre, the black-and-white silent films are the most daring and…
It might be tempting to label the “journey across America in search of ______” motif a cliché… except it still resonates powerfully. From 19th-century travelogues to Kerouac’s On the Road to Albert Brooks’ Lost in America, the idea of traveling the US as a quest for meaning captures out imaginations, and gives us space for a bit of introspection.
Ryan Mlynarczyk and Mandy Creighton went beyond the dreaming about such adventures most of us do, and decided to set out on their own quest across the country… this time in search of sustainable community. In 2008, they ditched almost everything, and set off across the US on bikes to explore ecovillages, communes, collectives… every form of simpler, more sustainable communities they could find. They’ve visited over 100 communities across the country, and are now pulling footage of their journey into a feature-length film titled WITHIN REACH.
Woody Allen Talks About His Latest Film Photo Courtesy of Sony Pictures Classics Woody Allen’s latest film “You Will Meet a Tall Dark Stranger,” starring an ensemble that includes Gemma Jones, Anthony Hopkins, Naomi Watts, and Josh Brolin, opens in U.S. theaters tomorrow, September 22nd. On September 8th, Kultur Kritic excitedly attended a press screening…
How did we manage to miss this totally awesome quote from Ryan Gosling? In an interview with New York magazine about his upcoming movie BLUE VALENTINE (opening later this year, it’s a portrait of a marriage, co-starring Michelle Williams), he’s asked about his character’s tattoo of Shel Silverstein’s The Giving Tree on his arm, and replies: “That book is so fucked up; that story’s the worst. I mean, at the end the tree is a stump and the old guy just sitting on him — he’s just used him to death, and you’re supposed to want to be the tree? Fuck you. You be the tree. I don’t want to be the tree.” Now we can’t decide which we love more — Silverstein’s book or Gosling’s quote about it.
Thanks in large part to a video made last December by Anita Sarkeesian of FeministFrequency.com that’s been making the rounds recently on the Internet, more of the world knows about the Bechdel Test.* Back in 1985, Alison Bechdel’s comic “Dykes to Watch Out For” mentioned “The Rule,” one character’s three simple requirements for whether or…