After starring in countless Western classics (Rio Bravo, True Grit, Red River…), screen legend John Wayne has doled out plenty of no-bullshit advice — applicable on the frontier and nearer to home. Here are seven quotes to live by from the man, the myth, and the legend himself.
Each actor to step into MI6 Agent Bond’s shoes has made the role his own–we’ve had some suave womanizers (Roger Moore, Pierce Bronsan) and some fierce menacers (Sean Connery, Daniel Craig)–and through it all the action franchise has remained a swaggering and unstoppable force at the box office. It’s a lot of pressure to be cast as a Bond, and it’s no surprise that the lucky men who’ve filled the role each needed some action-thriller practice to cut their teeth. Below we’ve compiled a list of our favorite action pics starring Bond actors, before their stint as the legendary spy.
1. Layer Cake with Daniel Craig
Two years before his first Bond pic Casino Royale, the actor was being primed for stardom via this well-crafted British crime thriller. Craig plays “XXXX,” a London drug kingpin on the verge of retirement who finds himself knee-deep in the drug trade. With its impressively styled action sequences, Layer Cake is more than 007 1.0. It’s also a modern action classic.
Clint Eastwood. The name alone commands respect. And in honor of the rugged, one-of-a-kind wisdom exemplified by Clint’s characters in The Outlaw Josey Wales, Pale Rider and other movies, here are seven memorable quotes.
What’s your favorite Leo role of all time? Maybe the vengeful Amsterdam Vallon in Gangs of New York, or the tough-as-nails U.S. Marshal Teddy Daniels in Shutter Island? Wait. He was also amazing as the undercover cop in The Departed and Howard Hughes in The Aviator. Actually, his portrayal of stock-broker Jordan Belfort in The Wolf of Wall Street was epic as well. What do these modern classics have in common? DiCaprio and Oscar winning director Martin Scorsese! That’s what! So here’s a challenge for you: Pick your favorite Leo movie NOT directed by Scorsese.
Masterful at portraying unusual characters, Australian actor Geoffrey Rush has been an artist, a revolutionary, a tailor and a pirate (among others); he’s been Russian, Israeli, French and British (among others). To top it off, many of these characters are based on real people, making it that much trickier to get them just so. Vote…
Happy Mother’s Day! In honor of Good Ol’ Mom, we present you with Part Two of our list of Top 10 MILFs (which translates as Mothers In Legendary Films; don’t get any funny ideas). Part One covered heroic and villainous moms in film: this time around, we’re doing zany, wild, perhaps misunderstood, and beautifully unique moms. Because when it comes to mothers, we’ve all got a different story. Vote for your favorite of these mommas in the poll below.
1. Ed, Raising Arizona
“GIVE ME THAT BABY YOU WARTHOG FROM HELL!”
Holly Hunter made the top 2 moms in this top ten list! Because well, she’s awesome. Aside from Raising Arizona being one of the greatest Coen Brothers’ classics, we just simply love the determination of Ed to be a mother. Who thought that baby-snatching could lead to such much trouble, so much hilarity, so much heartache, and so much brilliant film-making? Ah, the messes we create for ourselves. Classic Cohen Brothers.
2. Ada McGrath, The Piano
“There is a silence where hath been no sound / There is a silence where no sound may be / In the cold grave, under the deep deep sea.”
A woman is cast onto the shores of desolate New Zealand — the loneliest place on earth. Ada McGrath (Holly Hunter) is a mute pianist, set adrift in a new world, accompanied only by her daughter. A single mother who passionately loves her child, Ada must learn to protect her daughter without the power of speech. Music as language: music as love — this is one of the most beautifully strange “mom movies” ever made.
Spring may seem an unlikely time to crave a messed-up movie marathon, but the trippy films on this list are worth a screening any time of the year. Full of iconic (read: extremely bizarre) scenes and surprising performances from many now “mainstream” actors, these are movies that will get under your skin and stay there. Of course, it’s hard to get too bummed out by a well-told story or a stylishly made film (then again: Dancer in the Dark), but here’s a final warning: these are 10 seriously messed-up stories.
1. Grizzly Man (2005)
Like much of Werner Herzog’s work, Grizzly Man has moments of poetry as well as dark humor. But Timothy Treadwell, the central figure of this documentary, suffers a fate so horrific that it’s shown in the film only via Herzog himself listening to audio of the incident and advising that it be destroyed and never played for anyone ever again. The audio exists because Treadwell documented his life among the bears in Alaskan wilderness; some of the astonishing footage appears in the movie, as Herzog ruminates on the “chaos and murder” he sees in the natural world Treadwell so adores. You may want to chase this experience — or this entire list — with Herzog’s Encounters at the End of the World, another nature-related doc with less grisly results.
2. Hard Candy (2005)
Before she was Juno or fulfilling her Woody Allen movie destiny, Ellen Page played a cunning teenager in Hard Candy, which manages to toy with its viewers so much that it appears to tell about five different totally messed up stories before it’s over. It begins queasily enough with Patrick Wilson meeting Page in a public place and bonding over the band Goldfrapp, then gets queasier as he invites her back to her place. But Page, playing on her mini-person physicality as well as her natural ability to seem smarter than her young-looking years, is not who she appears to be. This isn’t a gory horror movie, but your stomach will probably still churn with each plot twist.
Where would the cinema world be without gangsters? The gun-blazing standoffs, ballsy bank stickups, mobster massacres … They’ve all contributed to some of the biggest moments in movie history. But there’s a special subset of the genre that blurs fantasy and reality, those flicks that portray the bigger-than-life gangsters who were real. Here are ten great…
More than just a peek at pretty people’s privates, big screen nude scenes can push the boundaries of what’s acceptable. And not just for audiences but for the industry, too. In fact, what was NC-17 back in 1990 might only rate as R today. Read on to uncover the movies (and birthday suits) that helped define the MPAA vocabulary.
Lars Von Trier’s hotly discussed 5-plus-hour movie about the life and loves of a sex-addict is all sex, all the time. Much of it, unclothed. While the original plan was to release an R-rated version that hasn’t happened quite yet. Apparently, unrated works best for the undressed.
Image from NORTH COUNTRY, featuring Woody Harrelson and Charlize Theron. Some of the greatest movie dramas take place in the courtroom. And some of the best courtroom dramas are based on true crimes. Get inspired (or infuriated) all over again with this list 10 of the best from the last 25 years. Hooked on legal…
After Washington Redskins wide receiver Josh Morgan committed a penalty that may have cost his team a recent game, he received death threats on Twitter. Who would be crazy enough to do such a thing? Meet Paul Auferio (Patton Oswalt), a 36-year-old schlub who works at a dead-end day job and spends his nights calling in to a sports-radio station to proclaim his undying love for the New York Giants — and his murderous hate for the divisional rival Philadelphia Eagles. He’s the tragic title character in the super-dark comedy BIG FAN (airing tomorrow night at 8P on Sundance Channel).
Aaah… the great American outdoors. It can sure be beautiful, but beware: The further afield you get, the harder it is to find help. Help with what, you may ask? Just ask the boys from DELIVERANCE, currently playing on the Sundance Channel: deviant lunatic hicks, o’course!
Photo credit: Listal
It’s mid-August and Hot Summer Nights is in full swing on Sundance Channel. Some of the upcoming movies featured in this “steamy” series focus on sexual extremes: There’s sex addiction in John Waters’ outrageous comedy A DIRTY SHAME and also in the autobiographical tale I AM A SEX ADDICT; AUTOEROTIC follows the sexual obsessions of four Chicago couples; the compelling (but unfortunately named) documentary SEX MAGIC: MANIFESTING MAYA follows the polyamorous life of a sex guru; and INDIE SEX: EXTREMES looks at independent cinema that pushed the boundaries of sexual content in film.
Photo credit: The Movie Waffler
Looking for a great way to beat the heat? Summer has always been a time for everything to run high: temperature, hormones, blood pressure, nerves. And a summer thriller is the perfect way to make them all go over the top. This is the season that has seen some of the best horror and thriller classics of all time, like ROSEMARY’S BABY, THE BLAIR WITCH PROJECT and THE SIXTH SENSE. And those titles are in great company with the following list.
After all the (well-deserved) awards and praise, BEASTS OF THE SOUTHERN WILD is still a film about the end of the world. Hushpuppy is racing to find a way to save her father and the Bathtub from the impending Aurochs, floods and events that could destroy everything she knows. That’s one way to look at it — but we’ve recently been treating all the possible global catastrophes with an air of “meh.” So here are a few ways to better appreciate the end of days on film, especially if you think killer robots and giant planets are blasé.
Our poet friend Mark Bibbins is the author of “The Dance of No Hard Feelings”, a prof in the graduate writing programs at The New School and Columbia, and the poetry editor of The Awl (“Be Less Stupid”), where he features one or two pieces by a poet each week. His latest selection — “Romeo + Juliet Poem” by Krystal Languell, who’s on the board of the Belladonna* Collaborative — really caught our attention: It’s fun, sexy, visceral (see excerpt below). Since our enjoyment of good poetry usually involves quoting THE PRINCESS BRIDE (“No more rhymes now, I mean it.” “Anybody want a peanut?”), we asked Mark to give us some insight into this particular poem.
Twenty years ago B-movies and ‘sploitation flicks were relegated to sleazy grindhouses and run-down theaters that could only get clean if someone lit a match by accident. But they’re accepted now by everyone thanks to BLACK DYNAMITE and upcoming genre mash-up ABRAHAM LINCOLN: VAMPIRE HUNTER. Remakes are happening nearly as soon as films are re-released, so why not look to the most influential and infamous of the sleazy genre? Troma. It’s time the Toxic Avenger and these other Troma notables get their marquee moment.
To follow up on our Vaginagate roundup post from yesterday, now that the trending on Twitter had died down, here are our top 30 picks for best #vaginamovielines Tweets of the past week, so you can avoid scrolling through the endless stream of mediocrity and get straight to the good stuff:
Spider-who? Bat-who? Bourne-who? Forget the summer action blockbusters. This season we’re much more interested in the softer, sassier, saucier flicks. Instead of aliens, action and adventure, sex, love, family and friendship are the big themes with these movies. Women make up a majority of the lead roles (for a change). Most are indie. And for some reason they all come out this month. Guess it makes sense to get your summer love on early.
The Cannes Film Festival is in full swing right now (May 16-27) and one of its special guests is one of our favorite pleasure-object producers: the high end Swedish design company, Lelo. They’re screening their very own short — okay, it’s a crummy commercial. But as with everything Lelo does, it’s beautiful, sleek, glamourous, luxurious and inviting — like their toys (although we never will get the appeal of squirming around on a bed of roses).
Whether he’s chauffeuring you home in a golf cart or sneaking up behind you in public, Bill Murray commands your attention. His mere presence at the 65th Festival de Cannes is no different. He is certainly the most important member of director Wes Anderson’s party posse. They’re debuting their latest collaboration, MOONRISE KINGDOM, and while the critical consensus has been golden, a Bill Murray out in the wild will always steal the show! Take a look:
In honor of TRANSGENERATION airing Tuesdays at 10p on Sundance Channel, we wanted to curate a screening list of the best transgender-themed flicks out there. In order to make our list, the films in question had to feature a sympathetic portrayal of a transgendered character in a leading role — hence PSYCHO and SILENCE OF THE LAMBS did not make the cut. No, the following films are all thoughtful, moving depictions of people struggling through life — people who are human first, transgendered second.
Theresa Shecter and the gals at Trixie Films are making a documentary called “How to Lose Your Virginity” — it’s goal is “to undo centuries of myths and contradictions around virginity, and to encourage an honest conversation with people navigating the confusing process of deciding when and why to become sexual.” Its subjects include a rock violinist, an Ivy League blogger, an Ohio engineer, a porn producer — all subverting the virginity narrative.
Tickets go on sale today for Morgan Spurlock’s new documentary, MANSOME, as part of the 2012 Tribeca Film Festival — but only for American Express cardholders (Amex is a founding sponsor of the festival). The rest of you plebes can order tickets next Monday for the screenings which start on Saturday, April 21st and run through the following week. Then the film hits the rest of New York and also Los Angeles on May 18th.
“How come there are so many movies about a teenage boy who wants to have sex and this is the only one about a teenage girl who wants to have sex?” Thank you! We’ve been wondering all our lives where decent depictions of young female sexuality have been. Apparently in Norway. We haven’t seen it yet, but by all accounts the Scandinavian film TURN ME ON, DAMMIT! — an adaptation of the Norwegian novel of the same name — is refreshing, honest and hilarious. The film won “Best Screenplay” at the Tribeca Film Festival, “Best Debut Film” at the Rome Film Festival and “Best European First Feature” at Mons International Love Film Festival. And critics have been singing its praises: