In honor of legendary musician Lou Reed who passed away earlier this week, Sundance Channel will re-broadcast the episode of the interview series SPECTACLE: ELVIS COSTELLO WITH..Â featuring the rock icon and Velvet Underground founder, on Saturday, November 2 at 7pm.
From left to right: Josh Sapan (Rainbow Media), Martin Katz (Prospero Pictures), Lynne Kirby (Sundance Channel), Sir Elton John, Evan Shapiro (IFC/SUN), Mala Chapple (Sundance Channel) Sarah Barnett (Sundance Channel) and David Furnish.
I usually have a rule: If you love someoneâ€™s work NEVER meet them. Seriously â€“ Iâ€™ve suffered too many disappointments over the years. And really â€“ if you know someoneâ€™s a walking septic tank â€“ how can you enjoy their work afterwards? Itâ€™s like Pearl Cleage wrote in Mad At Miles, â€śHow can you celebrate a genius in the face of a monster?â€ť But this week has proven the rule wrong. Twice. First Danny, now Elton John.
Last night, Rainbow Media and the Sundance Channel held a big dinner at the Stein Erickson Lodge and my Tiny Dancer was there (he executive produced SPECTACLE ELVIS COSTELLO WITH… along with David Furnish) with hubby David Furnish â€“ who once came to my 30th birthday party with Cornelia Guest at the Sunset Tower. He didnâ€™t remember, but who cares? I got the pics to prove it!
Bruce Springsteen and Elvis Costello jam on the SPECTACLE stage.
As someone once wisely noted, â€śThereâ€™s nothing you can say that canâ€™t be sung,â€ť and so it proved to be during the nearly four hours that Bruce Springsteen and I shared the Apollo stage for our SPECTACLE taping.
Given Bruceâ€™s generosity in song and conversation, itâ€™s little wonder our performance yielded two full episodes. There is very little I can add by way of recommendation. He was good enough to sing almost every song we discussed, and even one we didn’t really know.
Suffice to say that the version of â€śPoint Blankâ€ť with which the Imposters and I opened the evening, as well as my heartfelt but vocally fatigued solo rendition of â€śBrilliant Disguise,â€ť are two of my favorite Springsteen songs. Sadly, neither could be accommodated in the final edit.
I am sorrier still that Nils Lofgrenâ€™s wonderful performance of â€śLike Rainâ€ť â€“ a song that I had loved since his days in Grin â€“ could not be placed in the narrative either. I hope it emerges one day. Nilsâ€™ contribution to preparations for the eveningâ€™s collaboration between the Imposters and he and his E-Street Band colleague Roy Bitten was invaluable.
Five weeks or so after the taping, I found myself back in New York, just as Bruce and the E-Street Band were playing a two-night stand at Madison Square Garden.
It was among the shows in which entire albums were performed, and I was delighted to find that Bruce was performing what is still my favorite of all his records, The Wild, The Innocent and the E-Street Shuffle, from which he had performed â€śWild Billyâ€™s Circus Storyâ€ť on SPECTACLE.
Iâ€™ve spent a lot of time with this album, and it was remarkable to hear it re-animated in every detail with such nuance and vitality. It was stranger still to find myself walking out to sing Jackie Wilsonâ€™s â€śHigher and Higherâ€ť during the showâ€™s finale.
But then it occurs to me that during the SPECTACLE encounter Bruce and I found ourselves talking about other artists and their music as much as our own experiences.
In some cases this was a departure from those previous occasions when we had shared the stage. So here are some songs that you might enjoy by those very artists.
Elvis Costello and Lyle Lovett.
Some people imagine I have a head start with my SPECTACLE encounters simply because my guests and I share an occupation.
However, the location of the specific common ground has often been unusual or obscure.
For example, Lyle Lovett and I both contributed to Robert Altmanâ€™s motion picture, SHORT CUTS.
I wrote the song â€śPunishing Kissâ€ť for Annie Ross to perform, while Lyle, rather more crucially, was featured as a sinister confectioner. So, there was not much cause for dialogue, other than to remark upon this coincidence.
When I started my career, my unfortunate face and manner of speaking, which has often been mistaken for insolent at international borders, had me frequently described as â€śaggressiveâ€ť or – perish the thought – â€śsurly.â€ť
In truth, I foolishly imagined that my songs might flourish while I remained out of the spotlight, but my natural shyness and impatience to get on with my work was often incorrectly decoded.
So while Ray Lamontagne may have found it hard to imagine that SPECTACLEâ€™s M.C. was in anyway reticent, I can appreciate how his own natural reserve could be lazily mistaken for being â€śdifficult.â€ť
All I can say is that throughout our conversation Ray spoke with the same singular clarity and generosity found in his songs.
For all the contrasts between our three guests, one idea stands: they are all singers who have prevailed after initial comparisons to other performers, even when these supposed resemblances were intended to be complimentary.
Iâ€™ve always believed that a lot of good songs have been written while unsuccessfully attempting to copy the style of another writer. A lot of pop music is like this; you start out with someone elseâ€™s rhythm or voice in your head, and in utterly failing to duplicate it, you find your own.
Elvis Costello takes center stage.
With two seasons of SPECTACLE now in the can, itâ€™s worth taking a longer look at just how Elvis Costello is able to pull off such a series. In the course of these episodes, Elvis has hosted musicians young and old, male and female, representing genres from jazz to country to soul and beyond. And not only does he need to lead a conversation with each artist, he also took it upon himself to perform with everybody.
Taking questions from Mary Louise Parker, Elvis Costello takes the hot seats on SPECTACLE.
As reported elsewhere, passengers on NYCâ€™s â€śFâ€ť Train have been fleeing in terror after being confronted by a frightening countenance leering from every poster along subway platforms. Some say heâ€™s akin to Spencer Tracyâ€™s â€śMr. Hyde.â€ť
At times like this, I feel as if I may have missed my vocation. Perhaps I should have been an Albanian Politburo Chairman or Millennial Cult Leader. Nothing else could possibly justify the kind of coverage SPECTACLE has enjoyed among the advertising space of the five boroughs.
Perhaps these graphic enticements may have even worked, or you might not be reading this now, except to avert your eyes from other horrors.
This episode of SPECTACLE was to have been hosted by our Executive Producer, Sir Elton John, a chance to mirror his Season One â€śguest hostâ€ť appearance with my wife, Diana Krall.
Unfortunately, ill health intervened, and at very short notice we were extremely fortunate and grateful to have Mary-Louise Parker take part in an utterly different, but equally enjoyable, conversation.
This is the column in which I have, up until now, listed a few of my favorite cuts by our SPECTACLE guests. In this instance, however, it seems immodest and absurd to propose my own songs.
Thankfully, television is something less grand and permanent than an inscription on a marble slab, and something slightly in advance of, in the words of Winston Churchill, â€śa tuppenhaâ€™ penny Punch and Judy show.â€ť
Meanwhile, “Favorite Records” change like alibis.
So, here are five records you may enjoy. Iâ€™ll write quickly before they change again.
SPECTACLE REPORT: ELVIS COSTELLO WITHâ€¦Unsung Heroes: Richard Thompson, Nick Lowe, and Jesse Winchester
Elvis Costello shares a moment with Richard Thompson. In addition to using the platform of SPECTACLE as a way to champion some of his favorite young musicians, Elvis Costello has also turned the show’s spotlight to several underappreciated veteran artists. This season, a trio of singer-songwriters whose names might not be familiar to all viewers…
Elvis Costello in the hot seat with Mary Louise Parker on SPECTACLE When I spoke to Elvis Costello just before the launch of this season of SPECTACLE, he said that by the final tapings, he knew that he wasn’t sounding his best. “My voice wasnâ€™t in the greatest shape by then,” he said. “There’s a…
SPECTACLE REPORT: Elvis Costello's Must-Hear Tracks Levon Helm, Allen Toussaint, Richard Thompson and Nick Lowe
Elvis Costello with Nick Lowe on SPECTACLE BUILDING THE BAND This was one of the more chaotic SPECTACLE evenings. It was also one of the most joyful. We began with the simple idea of constructing a one-time-only band of guitar, piano, bass and drums, each member having taken some kind of cue from another somewhere…
The legendary Levon Helm at the drums on SPECTACLE. On this week’s SPECTACLE, Elvis Costello assembles a band of musical legends. At its heart are two artists who act as living links to the traditions of the American South – drummer Levon Helm and pianist Allen Toussaint. Arkansas-born Helm, best known as one of the…
Sheryl Crow on SPECTACLE: ELVIS COSTELLO WITH… The four artists who join Elvis Costello this week for SPECTACLEâ€™s second annual â€śguitar pullâ€ť are all extraordinary singers and exceptional songwriters. But with all due respect to Neko Case, Ron Sexsmith, and Jesse Winchester, only one of them has been able to strike the balance that Elvis…
From left, Jesse Winchester, Neko Case, Elvis Costello, Sheryl Crow and Ron Sexsmith on SPECTACLE’S “Guitar Pull.” RON SEXSMITH Iâ€™ve known Ron since just after the release of his first record. Heâ€™s probably gotten tired of reading my name in a paragraph with his simply because Iâ€™m among those who think it extraordinary that at…
Elvis Costello hosts Bono and The Edge on SPECTACLE. Our esteemed host has a discerning ear. For the second season of Spectacle, we asked him to choose a track or two from his guests’ sizable songbooks. Not “the greatest” or most iconic tunes necessarily, but pieces that have always knocked him out. We’ll update the…
Elvis Costello performs with U2′s Bono and The Edge on SPECTACLE.
In 2001, a few weeks after the September 11th attacks had stunned the world, high in the sky somewhere between Montreal and Toronto, guitarist The Edge sat back in his seat on U2â€™s private â€śElevationAirâ€ť jet and spoke to me about the bandâ€™s personal bonds. â€śWe’re not like so many groups you hear about, where the members don’t ever talk offstage or out of the studio,â€ť he said. â€śIt’s not like that with usâ€”quite the opposite. If we end up at a party, at the end of the night you’ll probably find the four of us off in a corner hanging out.â€ť
Letâ€™s side aside the musical contributions, the classic songs and unforgettable performances that U2 have delivered over the years. If you just consider their personal histories, these four Irishmen have boldly gone where no band has gone before. There has never been another group whose line-up has remained intact for over thirty years. Since forming in Dublin in 1976 at the Mount Temple Comprehensive School (a site the Edge revisited in the recent guitar documentary IT MIGHT GET LOUD), these same four guys have shared a stage all the way from drummer Larry Mullen, Jr.â€™s kitchen to sold-out stadiums around the globe.
Elvis Costello spoke with WNYC’s Leonard Lopate about his music and the upcoming season 2 of SPECTACLE: ELVIS COSTELLO WITH… Listen Here:
Elvis Costello, host of SPECTACLE: ELVIS COSTELLO WITH… on Sundance Channel Catch Elvis Costello on Comedy Centralâ€™s The Colbert Report airing Thursday, November 19th and in a jam-out session with The Roots on NBCâ€™s Late Night with Jimmy Fallon airing on Friday, November 20th. Costello will be on to discuss the return of his music/talk…
So, this is the end of the line for Spectacle’s inaugural season. It started with Elton John and wraps up with Smokey Robinson. They’ve had a few hits between them. Elton and Smokey book-ended a veritable who’s who of singers, songwriters and giant personalities (including a President of the United States), thoughtful and passionate all…
THE RHYTHM AND THE BLUES The guest for the season’s final episode of SPECTACLE is someone whom Elvis Costello has referred to as “daunting.” But Smokey Robinson has actually been called far more serious things than that; Bob Dylan once described him as “America’s greatest living poet.” It was a bit of hyperbole on Dylan’s…
Not-So-Silly Love Songs To avoid a potentially awkward situation, on this week’s edition of SPECTACLE, Elvis Costello turns over the host’s chair to the show’s Executive Producer, Elton John. This is because the guest this time around is none other than Elvis’s wife, the acclaimed jazz pianist and vocalist Diana Krall. But since we have…
As luck would have it, this edition of SPECTACLE turns out to be the perfect episode for the week in which the United States installs a new President. Elvis Costello’s guests this time around share powerful ties to the roots and heritage of American music—country, most obviously, but also folk, blues, and jazz. Kris Kristofferson…
What is a “standard?” The dictionary on my desk, as its fifth definition for the word, says that it is “a piece of music that has remained popular for many years.” Which is actually a pretty good, non-partisan description from an old dictionary, since the word is almost always applied to a specific body of…
Check back each week for the previous week’s playlist. Episode 3 with Bill Clinton “Mystery Train” by Elvis Presley Performed by Elvis Costello and band (James Burton, Davey Faragher, Pete Thomas) “Baby Let’s Play House” by Elvis Presley Performed by Elvis Costello and band (James Burton, Davey Faragher, Pete Thomas) “Is This America? (Katrina 2005)”…
Many thanks to all the people who watched our first episode and reacted so favorably and enthusiastically…we thought there was an audience for this kind of show – maybe we were right. The second episode on Sundance Channel features Lou Reed, with a special, not-to-be-missed appearance (and “performance”) by artist/filmmaker Julian Schnabel. Coincidentally, Julian got…
“Punk—what nonsense that was,” Elvis Costello recently said to Spin magazine. “I never really went along with the philosophical background…I’m just a songwriter. I knew older stuff and I knew newer stuff.” It’s easy to understand why, given his obvious other interests from Day One and the wide range of musical styles he would soon…
Elton John – Elvis Costello’s guest for the premiere episode of SPECTACLE (as well as one of the show’s executive producers) – is a towering example of contemporary pop songcraft. In a career spanning four decades, he has gone from creating such indelible melodies as “Your Song” and “Someone Saved My Life Tonight” to composing…