Offering a first look at the year ahead in independent film, culture and new ideas, Sundance Institute announced the 65 films selected for the U.S. Competition, World Competition and out-of-competition NEXT category set to premiere at the 2016 Sundance Film Festival.
Today at Sundance — Day 7: Adam Scott has A.C.O.D., and we get TOUCHY FEELY with Rosemarie DeWitt and Ellen Page
A.C.O.D. may sound like a mental disorder, but you’ll only wish it was after seeing Stu Zicherman’s film about an adult caught in the crossfire of his parents’ divorce. The premieres keep rolling on day 7!
A.C.O.D. 6:30P Eccles Theatre
Carter is a well-adjusted Adult Child of Divorce. So he thinks. When he discovers he was part of a divorce study as a child, it wreaks havoc on his family and forces him to face his chaotic past. Adam Scott’s increasingly befuddled everyman is flanked by vivacious comic performances from Catherine O’Hara and Amy Poehler as his stubborn mom and sassy stepmom, respectively.
Summer may not officially end until later in September, but come on: Labor Day has passed, and summer is over. It’s time to put away summer spectacles and let cool breezes and chillier moods wash over you. You can get away with less ebullient movies in the fall than you can in the summer; this goes for Sundance Channel, too — just check out this month’s lineup. It’s hard to get too bummed out by a well-told story or a stylishly made film (then again: DANCER IN THE DARK), but these are 10 seriously messed-up stories. In ascending order of potential to disturb you…
Not that sequels prequels, slapstick comedies, superhero flicks, and action/adventure thrillers can’t be intelligent, lol. But still, can we expect anything a cut above? Yes! Some warm-weather flicks are filtering in made by actual artistes with real aspirations, at least judging from the heady descriptions. Some of them are even coming before summer’s official start date. Here are some of the most promising looking options for your summer cinema plans:
With THE DARK KNIGHT, Christopher Nolan established himself as a director with the ability to translate the artfulness of a film like MEMENTO into a blockbuster that packs equal parts action and story. Even with an ensemble case, THE DARK KNIGHT manages to retain a singular character study that remains the heart of the story, no matter how many explosions go off in the background.
Almost the opposite is true of INCEPTION, Nolan’s ‘break’ while finishing up the Batman trilogy.