DETROPIA

From Amanda Palmer to DETROPIA: How established artists build crowdfunding communities

Article: From Amanda Palmer to DETROPIA: How established artists build crowdfunding communities

We’re used to our friends’ Kickstarter pleas and occasionally throw cash their way (the average project that meets its funding goals rakes in about $5,000). Recently, however, some big names in indie talent have made headlines thanks to their own campaigns on the crowdfunding platform. In this corner, we’ve got punk cabaret doyenne Amanda Palmer, who raised almost $1.2 million via Kickstarter to fund her new album. And in the blue trunks, we’ve got Oscar-nominated documentarians Rachel Grady and Heidi Ewing (JESUS CAMP, THE BOYS OF BARAKA), who wowed everyone at Sundance with their latest film DETROPIA, but still failed to find a distribution deal. Instead, they’ve

The Sundance '12 Awards (according to Twitter)

Article: The Sundance '12 Awards (according to Twitter)

It’s indie film, man: when things go wrong, you roll with the punches and improvise. So when Parker Posey, the scheduled host for the Sundance ’12 Awards Show fell ill, the fest found a replacement — BLACK ROCK director and star Katie Aselton — who teamed up with Festival Director John Cooper to emcee the evening. Things chugged along without missing a beat. “I’ve always wanted to be Parker Posey,” quipped Aselton.

The Sundance Review Revue: DETROPIA

Article: The Sundance Review Revue: DETROPIA

Indie directors looking to shoot a post-apocalyptic film on the cheap: head to Detroit. The reviews — mostly ecstatic reviews — are pouring in for Heidi Ewing and Rachel Grady’s DETROPIA, and they are awash with heartbreaking descriptions of the once-great city’s crumbling infrastructure. At Film Threat, Don R. Lewis describes Detroit as looking like something “from a parallel universe that was hit by an Armageddon.” Others describe how absurdly cheap real estate has become in the area; you can buy a downtown loft for $25,000 because demand is so incredibly low. A director needs to take advantage of this sort of free production value.