While most programmers struggle with late prints, expired bulbs, torn films, and busted speakers, they for the most part don’t have to deal with human beings (other than filmmakers, of course). Programmer John Nein, who coordinates most of the Festival panels, is left to wrangle the human element for his panels.
Each year, the film world looks to the Sundance Film Festival selection to reveal the tone of American film for the next year. Why were there so many dark comedies this year? And why so many films with the word American in it? But it is not only the films that are scrutinized – so are the filmgoers. Two reports look to the behaviors of the Sundance film viewer.