Daphne Rubin-Vega

Review Revue: The QUEEN is on the MONEY

Article: Review Revue: The QUEEN is on the MONEY

Going to the movies should never, ever be stressful (unless, of course, you’re planning on seeing the latest Lars von Trier flick). You want to see something new and relevant so that you can talk it up with your know-it-all friends. But you don’t want to sit through the one film that everyone thought would be great but… isn’t. So here is our formula, simplifying the should-you-see-it conundrum:
5 new releases x 2 critical samplings = what you should go see.
Simple enough, right? This week we have a Stockholm drug runner, an Indian maiden-in-waiting, feuding New York sisters, a doomed royal court and an immaculate rock ‘n’ roll conception.



When JACK GOES BOATING debuted at Sundance earlier this year, the audience gave it a standing ovation. It’s easy to see why. As a story that’s really three stories in one, JACK GOES BOATING lifts you up and sends you way back down again with its sweeping narrative of two friends and two sets of lovers, one old and doomed and one fresh and new. It starts with Jack, played by Philip Seymour-Hoffman, who also makes his directorial debut with a script based on Robert Gloudini’s play of the same name, which Hoffman also starred in. Jack’s friend Clyde (John Ortiz) sets him up with Connie (Amy Ryan), his wife’s co-worker. Connie is a timid, delicate, mouse of a woman, with insecurities so obvious they make her the victim of multiple instances of sexual harassment, even assault. She’s one of those women, coming upon middle-age, still unsure of who they are, making her an eligible candidate for Jack, who drives a limo and lives in his uncle’s basement.