Damages

KEEP THE LIGHTS ON is a classic romance, only gay

KEEP THE LIGHTS ON is a classic romance, only gay

Last year, Andrew Haigh’s WEEKEND proved to be a low-key drama about a gay hookup that lasted as long as the title, with bittersweet results. The film was sincere and likable and once again sent out the message that indie cinema bravely goes where Hollywood rarely dares.

Further proof that TV is the new film

Further proof that TV is the new film

It’s old news that the increased presence of high-profile film stars in TV land is just another not-so-subtle sign of the recession in action: Those usually used to a fat paycheck from the film studios have had to think out of the box — or rather, right into it, as have 2012 Emmy nominees Glenn Close of Damages, Kathy Bates of Harry’s Law and Steve Buscemi of Boardwalk Empire, to name just a few. But their presence is also a sign of another larger shift in the entertainment media landscape, one that has also been in development for a while now: The boundaries between the kind of content on TV and in film may be disappearing altogether.