BLUE VALENTINE

LOVE KILLS DEMONS, a film in 12 parts

Article: LOVE KILLS DEMONS, a film in 12 parts

LOVE KILLS DEMONS is a series of twelve short films by Jim Helton, the editor of BLUE VALENTINE, who followed artist Chris Rubino off and on for a full year, documenting his studio, his creative process, individual projects as well as his body of work as a whole. It’s an incredible feat of filmmaking and a tour de force for Rubino, who insists that even though he didn’t find the project invasive ([Helton] is quite low key with his cameras which really allowed me to just work and not think too much about the filming…It was a special experience work with this crew around me. All of these guys are like brothers), he did remark that “due to the speed that I was working in this film there was a higher amount of spontaneity in the work,” producing pieces that were different than if he was “left 100% on [his] own.”

VALENTINE in close-up

Article: VALENTINE in close-up

Close to Valentine’s Day, my honey and I went to see BLUE VALENTINE. Not on Valentine’s Day, mind you, that would be called … a bad omen. We walked out of the theatre repeating the phrase, “If you have a choice, take Cupid’s Cove and not the Future Room, for Chrissake sweet Jesus!” But the other phrase we walked out repeating was, “Wow, a whole movie in close-up!”

Sundance Film Festival follow up: BLUE VALENTINE

Article: Sundance Film Festival follow up: BLUE VALENTINE

The much anticipated release of BLUE VALENTINE was an instant audience favorite at its festival premiere last January, earning director Derek Cianfrance a Grand Jury nomination. Cianfrance began making movies when he was thirteen, but this is his first feature-length narrative film. It’s already been nominated for two Golden Globes and an Independent Spirit Award,…

Buzz, like swine flu is something you can pick up at a party

Article: Buzz, like swine flu is something you can pick up at a party

Image from THE OATH, the story of Salim Hamdan

That ephemeral Sundance commodity known as buzz used to be something you picked up at parties, on shuttles, waiting in line at screenings — now it’s quantified before the festival even begins, with films ranked on the Sundance site according to page views (and, once the screenings actually get under way, star ratings). Based on the track records of the parties involved (and on totally unscientific early word of mouth), here are the four movies — one from each of the competitive sections — I have the highest hopes for…