The Los Angeles Times just posted a massive investigation into the demographics of the Academy of Motion Picture Arts and Sciences, the 5,765 largely anonymous voters who every year decide who will receive the highly coveted and ultra-influential Oscars. Their findings, which will come as a shock to no one who has watched the Oscars at any point in the last 25 years, revealed a membership that is very old and very uncool. 94% of Academy voters are white; 77% are male. 54% are over the age of 60; just 2% are under the age of 40.
From Bridesmaids to Crazy Stupid Love to Beginners, 2011 was a year during which the onscreen heat was palpable.
BEGINNERS is a fitting and exciting followup to Mike Mills’ feature debut THUMBSUCKER (2005), the story of Justin, a teenage boy struggling to make sense of the relationship between his mother and father, between his parents and himself and between himself and that confounding group, the other sex. Though it’s well known by now that BEGINNERS is largely autobiographical of the time in 2003 when Mills’ own mother died and his father revealed that he was gay, Oliver (Ewan McGregor) could very well be the grown up version of frustrated young Justin, if all his angsty teenage fire had died out by the time he was 38, that is.
Mike Mills, veteran music video director who turned feature film director in 2005 with THUMBSUCKER says he’s “a graphic designer as much as [he is] a filmmaker.” His latest project, BEGINNERS, may be, first and foremost, a film, but as someone who works across multiple mediums it’s accompanied by “a lot of stuff,” like copious amounts of scribbling, note-taking, journaling and drawing.