Feeling a bit overwhelmed by the real world, are we? Well, take a look at some really unreal worlds, alternative universes where hauntings, vampires, time travel, spontaneous combustion and the like are commonplace. However bad things may look right now, they can’t possibly compete with discovering that your kid is the spawn of Satan, can it? “Rosemary’s Baby,” we’re looking at you…
“Antichrist,” “Buried,” “Dirty Harry” … the characters in these movies all have a terrifying story to delve into – they’ve all been buried alive.
While the topic of women’s rights doesn’t have the box office draw of a bunch of dudes getting wasted at a bachelor party, say, or a bride-to-be getting diarrhea in the middle of the street, there are many excellent movies that cover various aspects of the war on women (either directly or metaphorically)—workplace discrimination, violence against women, restricted access to abortion, sexual harassment, and all that fun stuff.
Dysfunctional families, abusive relationships, suppressed anger and just plain effed up…we’ve seen it all in movies like Donnie Darko and Antwone Fisher, but which onscreen shrink has helped us get through the toughest of times? Here’s our list ranking 10 movie therapists by the advice they give.
While the topic of women’s rights doesn’t have the box office draw of a bunch of dudes getting wasted at a bachelor party, say, or a bride-to-be getting diarrhea in the middle of the street, there are many excellent movies that cover various aspects of the War on Women (either directly or metaphorically)—workplace discrimination, violence against women, restricted access to abortion, sexual harassment, and all that fun stuff. So when you make a bag of popcorn and tune into the Sundance Channel this month for movies like ROSEMARY’S BABY, I’M NOT THERE and BLUE VELVET, not only will you be entertained, you’ll also be spending some quality time thinking about women’s rights. In other words, you can feel virtuous about that time on the couch. You’re welcome!
Just in time for Halloween, the ten most terrifying movies on the Sundance Channel run a gauntlet of horrific styles. For traditional slasher-movie thrills, we’ve got the original FRIDAY THE 13TH (and, inevitably, a slasher sequel with FRIDAY THE 13TH PART II). Others are horror classics too distinctive to be called traditional; David Cronenberg and Roman Polanski rarely seem more at home than when they channel their own personal obsessions into the horror genre with movies like ROSEMARY’S BABY, THE FLY, and SPIDER. Lars Von Trier’s ANTICHRIST fits into this pattern, too; it bears little resemblance to its genre brethren and is unmistakably the work of Von Trier, yet it is a horror picture, of sorts, filtered through the director’s bracing, often lyrical misery. Of course, there are other ways to get scared without even going into horror; Danny Boyle’s THE BEACH offers a scary vision of paradise corrupted, and, come to think of it, so does David Lynch’s BLUE VELVET, in its own way. If you want to freak out, there’s no shortage of options.
Though Lars von Trier’s MELANCHOLIA doesn’t come out in wide release until November 11, 2011, the anticipation for his seemingly more accessible follow-up to 2009′s ANTICHRIST is mounting. (For me, it’s the combination of the end-of-the-world theme/people looking up at outer space in wonder, the mystery of melancholia and my girl crush, Charlotte Gainsbourg.)
In case you have no idea what movie I’m talking about: