AMOUR

Film intelligence: Leaves of gold and a Lucas retirement

Film intelligence: Leaves of gold and a Lucas retirement

Every week there are dozens of film news stories. Every week, we read them all and bring you the five most important ones in the single most important blog post you’ll ever read (today [at this moment]). This week: the French love Haneke, the Americans love Tatum, and George Lucas doesn’t love own his company.

Cannes in the can: European winners, American losers

Cannes in the can: European winners, American losers

The Cannes Film Festival closed up shop this weekend (after some noted scandal) and Michael Haneke’s critical favorite AMOUR is carting home the Palme d’Or, while REALITY by Matteo Garrone nabbed the Grand Prix. AMOUR is Haneke’s second victory at Cannes, after 2009′s sparse and gently unsettling black and white feature THE WHITE RIBBON, and this second win is a testament to his considerable talents: having already established himself as the auteur of much darker fare (CACHE and FUNNY GAMES, especially, weren’t what you’d call feel-good movies), it’s remarkable that he has made an equally successful impression with his latest, decidedly more docile feature, which depicts love, loss and family for an octogenarian couple portrayed by French film legends Emmanuelle Riva and Jean-Louis Trintignant.