From zombies to monster hunters, we’ve hunted down the best English-speaking supernatural shows of the last 25 years. (Otherwise, THE RETURNED would be in the top slot, naturally.) Check out the list below, including “Buffy the Vampire Slayer” and “The X-Files,” if you dare.
AMERICAN HORROR STORY
SUNDANCE CHANNEL AND ENTERTAINMENT WEEKLY SET TO PREMIERE ‘THE WRITERS’ ROOM’ ON MONDAY, JULY 29, HOSTED BY ACADEMY AWARD©-WINNING SCREENWRITER AND ‘COMMUNITY’ STAR JIM RASH
PREMIERE SEASON TO FEATURE STELLAR LINE-UP OF HIT SCRIPTED SERIES ‘BREAKING BAD’, ‘DEXTER’, ‘GAME OF THRONES’, ‘AMERICAN HORROR STORY’, ‘PARKS AND RECREATION’ AND ‘NEW GIRL’
Presented by Sundance Channel and Entertainment Weekly, THE WRITERS’ ROOM is set to premiere on Monday, July 29 and will be hosted by Academy Award©-winning screenwriter (THE DESCENDANTS), comedian and actor Jim Rash (Community). The six episode half-hour series will spotlight an array of scripted television shows – from today’s pioneering cable dramas, including BREAKING BAD, Dexter, Game of Thrones and American Horror Story to the most critically acclaimed and popular network sitcoms, including Parks and Recreation and New Girl. The roundtable talk show will delve deep into the world of TV’s creative masterminds, divulging inside details about their smartest choices, toughest decisions and biggest mistakes. The announcement was made today by Sarah Barnett, Sundance Channel President and General Manager.
Are we inside a genre revolution? Lately the amount of content hitting screens that features either a modest nod or full-fledged over-the-top bow to genre is simply overwhelming. ANOTHER EARTH is indie-drama-with-a-side-of-sci-fi. MARTHA MARCY MAY MARLENE is indie-drama-with-a-touch-of-thriller. WE NEED TO TALK ABOUT KEVIN, the highly anticipated third feature from Lynn Ramsay, is indie-drama-experimental-fantasy. Yep, that’s right, on the surface it’s about raising a child who turns out to be a Columbine-like murderer, but in reality, I hear, it exists as a true art film. Lead actress Tilda Swinton said in last Sunday’s New York Times Magazine that the film is “a fantasy that has as much to do with the practical business of bringing up a child as ROSEMARY’S BABY has to do with being pregnant.”