Executive producer Melissa Bernstein discusses unconventional storytelling, connections between RECTIFY and Breaking Bad, and her latest project Halt and Catch Fire.
Q: How did you originally get involved with RECTIFY?
A: Mark Johnson, who I produce with, has known Ray McKinnon for years, and checked in with him periodically and got very lucky on timing. He checked in with Ray very shortly after he’d finished writing the pilot for RECTIFY on spec. And Ray agreed to share said pilot with Mark, who shared it with me that same evening. We read it within 24 hours and immediately fell in love with it. It was just so specific and beautifully written, and it was really in a setting that was so fresh and unique. We asked Ray if we could produce it and developed it for a year or so at AMC. And AMC ultimately had a different mandate at the time, so we just kept pushing and pushing and found a home at Sundance, where it belonged!
Q: Has this ten-episode season been more or less challenging than doing six episodes last year?