It’s old news that the increased presence of high-profile film stars in TV land is just another not-so-subtle sign of the recession in action: Those usually used to a fat paycheck from the film studios have had to think out of the box — or rather, right into it, as have 2012 Emmy nominees Glenn Close of Damages, Kathy Bates of Harry’s Law and Steve Buscemi of Boardwalk Empire, to name just a few. But their presence is also a sign of another larger shift in the entertainment media landscape, one that has also been in development for a while now: The boundaries between the kind of content on TV and in film may be disappearing altogether.
Fresh off the premiere of The Newsroom, the latest addition to the supremely wordy oeuvre of writer-creator Aaron Sorkin, the Internet was all abuzz over this
Jesse Eisenberg as Mark Zuckerberg, the world’s youngest billionaire
THE SOCIAL NETWORK is the age-old story that pits the jocks against the geeks in a power play for popularity, only this time around there’s more at stake than just getting in with the cool kids. There’s a multi-billion dollar idea up for grabs, and it takes place at Harvard, which means that everyone, even the buff, blonde crew team champs, the Winklevoss twins, are just as smart and ambitious as the king geek, Mark Zuckerberg. Played by Jesse Eisenberg (THE SQUID AND THE WHALE) as supremely nerdy, even witheringly so, Zuckerberg is seldom without his uniform of baggy sweatshirts and Adidas sandals with white socks, all items of clothing not seen much in the Harvard final clubs (Fox, Phoenix, Porcellian) Zuckerberg is obsessed with. When he finds himself unable to get into any of them, and his girlfriend dumps him for his pathetic obsession with Harvard’s social elite, Zuckerberg and his roommates write an algorithm that soon spawns Facebook, or The Facebook, as it was originally called.