The Sundance Film Festival may call Park City, Utah, its home, but there’s another city that’s always been well-represented at the annual movie-geek get-together: Austin, Texas. Not only is Austin known as a hotbed for up-and-coming filmmakers, but the city’s creative vibe jibes well with Sundance’s commitment to discovering talented artists and giving exposure to offbeat voices. Austin means a DIY aesthetic and a laid-back attitude, plus a love of music, the outdoors, beer, and against-the-grain philosophies. Not coincidentally, you can also find all of those qualities in abundance at the Sundance Film Festival.
Sundance Film Festival
Sundance Institute announced today the members of the six juries awarding prizes at the 2015 Sundance Film Festival, January 22 to February 1 in Park City, Salt Lake City, Ogden and Sundance, Utah. The Festival is the centerpiece of the year-round public programs for the Institute, which also hosts 24 residency labs and grants more than $2.5 million to independent artists each year.
The Sundance Film Festival has been letting women show their stuff since 1984. This year, 36 percent of the movies in competition are directed by women—compare that to the number of women directors for the top 250 North American films last year: a mere 6 percent. That’s a shame when you consider how many great movies by women directors have come out of the fest over the years. Without further ado, here are ten great movies that came out of Sundance that just happened to be directed by women. Add them to your cue.
Sundance Institute announced the addition of 10 films, events and New Frontier installations to the 2015 Sundance Film Festival.
Every time a movie star tries their hand at directing, audiences watch with bated breath. Here are ten stars whose filmmaking efforts landed them a place at the Sundance Film Festival.
Sundance Institute announced the program of short films selected to screen at the 2015 Sundance Film Festival. The 2015 Short Film program is comprised of 60 short films selected from 8,061 submissions.
Sundance Institute announced the films selected to screen in the out-of-competition Premieres and Documentary Premieres sections, as well as the selections for a new Special Events section and participants for two panels, at the 2015 Sundance Film Festival, January 22 to February 1 in Park City, Salt Lake City, Ogden and Sundance, Utah.
Sundance Institute announced today the films selected to screen in the 2015 Sundance Film Festival out-of-competition sections Spotlight and Park City at Midnight, as well as the films and installations to be featured in the New Frontier program. The Festival, which takes place January 22 to February 1 in Park City, Salt Lake City, Ogden and Sundance, Utah, is the centerpiece of the year-round public programs for the Institute, which also hosts 24 residency labs and grants more than $2.5 million to independent artists each year.
Sundance Institute announced today the films selected for the U.S. and World Cinema Dramatic and Documentary Competitions and the out-of-competition NEXT Section of the 2015 Sundance Film Festival, January 22 to February 1 in Park City, Salt Lake City, Ogden and Sundance, Utah. The Festival is the centerpiece of the year-round public programs for the Institute, which also hosts 24 residency labs and grants more than $2.5 million to independent artists each year.
Shorts are in many ways a rite of passage for budding filmmakers. They’re made of mistakes, charm and life—and with the realities of cost, time and effort. And some directors break through to showcase at Sundance Film Festival, where they have the chance of catching the eye of the person (or company) that will fund their next project. These are 10 Sundance shorts by directors who went on to make names for themselves–and as an added bonus, you can watch them all right now online. Enjoy!
What movies will you be clamoring to see from this year’s Sundance Film Festival? We’ve got 10 favorites of critics and fans (like “Whiplash” and “Dear White People”—many of which have already secured distribution—to satisfy whatever you’re into, from comedy to documentary, thriller to romance.
At the 2014 Sundance Film Festival, there was dark, there was sexy, there was scary, there was smart…and then there was funny, like “Frank,” “Nick Offerman: American Ham” and “The Skeleton Twins.”
Jenny Slate (“Obvious Child”), Ellar Coltrane (“Boyhood”) and Shailene Woodley (“White Bird in a Blizzard”) are just a few of the rising stars who hit the big time after their movies made it to Sundance two years ago.
From former “SNL” stars Jenny Slate, Kristen Wiig and Bill Hader to the Oscar-nominated Tilda Swinton, Mark Ruffalo, Michael Fassbender, Maggie Gyllenhaal and John Lithgow, the 2014 Sundance Festival was jam-packed with big stars.
The Sundance Film Festival is a crucible for industry trends and finding emerging talent. Festival watchers tend to focus on the weak economic prospects for many of the films showcased in Park City. The independent marketplace is slowly evolving, but there was plenty to see. So what if no one film galvanized the festival the way BEASTS OF THE SOUTHERN WILD and FRUITVALE STATION did in recent years? The festival probably erred in starting off with its best offering, jazz thriller WHIPLASH. No other film topped the buzz generated by this one.
Sundance Review: Fela Kuti’s Wild Life of Sex, Drugs, and Afrobeat Takes Center Stage in FINDING FELA
FINDING FELA, prolific documentarian Alex Gibney’s latest work, faces the challenge of depicting a contradictory artist. But that’s not to say it isn’t entertaining. On the contrary, the film — about the life, times and music of Afrobeat superstar and Nigerian revolutionary Fela Kuti — is exceptionally watchable. Kuti’s wild life never loses its surprise ingredients: from the time he married 27 girls in one ceremony to his involvement with a “spiritual guru” who slit throats for party demonstrations. The film’s challenge lays in its difficult hero, an enormously talented and charismatic man who was also troubled, stubborn, unpredictable, and probably not entirely sane.
Sundance: Aaron Paul on Why He’ll Never Be the Next Tom Cruise and Resurrecting Jesse Pinkman for AMC
Aaron Paul is not Jesse Pinkman. Thanks to five trailblazing seasons on Breaking Bad, it’s damn near impossible not to think of Paul as anyone else. But as he stressed to Indiewire in Park City, the deeply troubled Pinkman is his “opposite.” The same goes for the alcoholic father he plays in Kat Candler’s scorching directorial debut, HELLION, which premiered in competition here at the 2014 Sundance Film Festival late last week.
Only three weeks into 2014, Elisabeth Moss has already won a Golden Globe for TOP OF THE LAKE, world premiered two films at the Sundance Film Festival, and shot some scenes for the upcoming final season of Mad Men. Talk about a great way to kick off the new year.
Sundance Review: You’ve Never Seen a Vampire Movie Like the Beautiful, Touching A GIRL WALKS HOME ALONE AT NIGHT, Produced By Elijah Wood
For centuries, vampires have provided handy metaphors for social and physical dilemma, but in the stylishly muted deadpan romance A GIRL WALKS HOME ALONE AT NIGHT, the threat is personal. Writer-director Ana Lily Amirpour’s stunning debut, produced by Elijah Wood, follows the experiences of a small Iranian town haunted by a vampiric presence who’s just as lonely as the other locals.
Sundance Review: Despite a Hilarious Setup, Madeleine Olnek’s THE FOXY MERKINS Is a Disappointing Sophomore Effort
In 2011, Madeleine Olnek’s debut feature, CODEPENDENT LESBIAN ALIEN SEEKS SAME, premiered at Sundance to positive (if ultimately limited) reception. Made on a shoestring budget, (think space ships made out of tin foil), the warm and witty spoof on sci-fi B-movies firmly established the writer-director’s singular comedic sensibility. In her follow-up, THE FOXY MERKINS, Olnek turns the male hustler genre on its head to imagine what a lesbian prostitution ring in might look like.
Sundance Review: Ten Years Since Zach Braff Brought GARDEN STATE to Sundance, With WISH I WAS HERE, Has Anything Changed?
“I want to make more movies like GARDEN STATE. I mean, Woody Allen was my hero. He’s someone who, in his heyday, in the era of his films that I love the most, was making movies that were just taking the social temperature of his group of people in New York City, and I’d like to make more movies like that for people my age.”
—Zach Braff, 2004
A decade has passed since actor-writer-director Zach Braff made the above declaration in an Indiewire interview at the Sundance Film Festival. Despite his idealism, Braff wouldn’t succeed at directing another feature for a full 10 years, but his wish finally reached its completion this past week at the Sundance Film Festival, with the world premiere of WISH I WAS HERE, the widely documented Kickstarter-backed comedy in which he also stars.
Watch the EXCLUSIVE video premiere of Damon Albarn’s ‘Everyday Robots.” Directed by Aitor Throup. Pre-order the album here.
Sundance Review: Bill Hader and Kristen Wiig Are As You’ve Never Seen Them In Otherwise Conventional ‘The Skeleton Twins’
Outside of their Saturday Night Live work, Bill Hader and Kristen Wiig have delivered some of their best performances onscreen together, in ADVENTURELAND and PAUL (they even both scored scene-stealing voice cameos in Spike Jonze’s HER). Even so, their chemistry in Craig Johnson’s THE SKELETON TWINS is something altogether different: These are serious dramatic roles with dark comedic ingredients that take them out of the farcical realm and allow them to craft fully realized characters.
Sundance Review: J.K. Simmons and Miles Teller Impress With a Ferocious Student-Teacher Dynamic in WHIPLASH
BY EMMA MYERS Legend has it that Charlie Parker only became Bird because Jo Jones furiously threw a cymbal at his head when he choked on stage. At least that’s the story Fletcher (J.K. Simmons), the barbarous band conductor in Damien Chazelle’s WHIPLASH, uses to justify the emotional and physical abuse he subjects his students…
Sundance Review: Kristen Stewart Is Admirably Serious But Can’t Salvage Mopey Gitmo Drama CAMP X-RAY
Before her gig in the TWILIGHT franchise turned Kristen Stewart into a global celebrity, she had already established herself as a noteworthy screen presence in much smaller projects, with her serious, distant gaze making her ideally positioned to play lost and frustrated young women. There’s a glimmer of that subdued talent in CAMP X-RAY, the debut feature of writer-director Peter Sattler that finds Stewart in the excessively unglamorous role of a Guantanamo Bay guard. Unfortunately, Sattler’s frustratingly on-the-nose screenplay — which finds Stewart’s character forming an unlikely bond with an uncooperative detainee (Peyman Moadi) — only succeeds at emphasizing her talent in an otherwise half-baked drama.